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30588034

The Advertising Archives specialise in vintage illustrations including adverts, posters and magazine covers

Media ID 20632543


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> Arts > Literature > Magazines

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > France > Paris > La Vie Parisienne (The Parisian Life)


VISUAL DESCRIPTION
This illustration depicts a scene from early 20th-century French society, showcasing three women engaged in conversation. The image has a vintage quality with muted colors and reflects the fashion of the era: long skirts, tailored blouses, and stylish hats. On the left side of the image, two women are facing each other; one appears to be listening intently while gesturing with her hand raised as if making an important point. She is dressed in a dark coat and hat with her purse clutched in front of her. The second woman is turned slightly away from us, wearing an elegant patterned skirt and jacket combination that suggests she may be part of the middle or upper class. To their right stands another woman who seems to be eavesdropping on their conversation. Her posture—hand on hip, head tilted—is confident or perhaps amused by what she hears. She sports a plaid dress that's cinched at the waist along with a matching cloche hat tilted jauntily over one eyebrow. The caption below reads (translated from French): "Possible! My dear Madame but if I have an engineer son I prefer an ingenious daughter. " This text adds context to their interaction—it implies a discussion about gender roles and societal expectations regarding education or professions for men versus women during this time period. In addition to its social commentary aspect, there's also humor here—the play on words between "engineer" (ingénieur) and "ingenious" (ingénieuse), suggesting wit or cleverness not just limited to professional titles but inherent qualities desirable in any individual regardless of gender. At the bottom left corner sits a small caricatured figure drawing attention back down towards the caption reinforcing both its humorous tone as well as anchoring it within La Vie Parisienne magazine style which often included such lighthearted yet pointed cultural observations through artistry like this piece.

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