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30588337
Wall Art and Photo Gifts from Advertising Archives
30588337
The Advertising Archives specialise in vintage illustrations including adverts, posters and magazine covers
Media ID 20632985
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VISUAL DESCRIPTION
This image depicts a vintage illustration in a pastoral setting, with two figures and an abundance of apples. On the left, there is a woman reclining against the base of an apple tree; she is dressed in period attire with a vibrant red skirt, white blouse, and a decorative hat adorned with what appears to be fruit or flowers. Her pose suggests relaxation or perhaps exhaustion from picking apples. To her right stands another figure who seems to be conversing with her while holding an apple up as if inspecting it. This person wears clothing that suggests they are male, featuring breeches, stockings, shoes with buckles, and a jacket typical of historical European fashion. Scattered on the ground around them are numerous apples that have either been collected or fallen naturally from the tree above. A large wicker basket nearby is filled to the brim with these fruits indicating their harvest has been quite successful. The scene conveys both idyllic rural life and social interaction between individuals during what could be interpreted as either work or leisure time in an orchard environment. The illustration style indicates this piece likely originates from several centuries ago when such scenes were commonly romanticized in art. Text at the bottom includes dialogue which hints at playful banter between characters: "Vous laissez mon gentilhomme, Ce beau clos tout ravagé. " "Ne peus-on goûter la pomme Sans mettre à sac le verger ?" Translated into English: "You let my gentleman, Leave this beautiful enclosure all devastated. " "Can one not taste the apple Without putting the orchard to sack?" These lines suggest flirtatious teasing about overindulgence or carelessness regarding how many apples have been picked (or possibly eaten). The title "CUEILLIE" translates roughly as "Picked, " referring to both harvesting fruit and potentially choosing romantic partners—a double entendre common in such illustrations.
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