Fraud Blocker Skip to main content

Home > All Images > 2006 > July > 19 Jul 2006

Images Dated 19th July 2006 (page 2)

417 items

Background imageImages Dated 19th July 2006: Mourning habits, 14th century, (1910)

Mourning habits, 14th century, (1910). Mourning dress from the reign of Edward III (ruled 1327-1377). The men wear a tight-fitting cote-hardi, buttoned down the front

Background imageImages Dated 19th July 2006: Edward III and the Earl of Flanders, 14th century, (1910)

Edward III and the Earl of Flanders, 14th century, (1910). King Edward (ruled 1327-1377) wears a dalmatica with wide sleeves, and a richly embroidered under-tunic

Background imageImages Dated 19th July 2006: Edward II, (1910)

Edward II, (1910). The king (ruled 1307-1327) and his courtiers. One of the figures wears a bliaut with bell-shaped sleeves

Background imageImages Dated 19th July 2006: Costume of the commonality, 14th century, (1910)

Costume of the commonality, 14th century, (1910). Every-day dress from the reign of Edward II ((1307-1327), featuring the pointed boot in vogue during the period

Background imageImages Dated 19th July 2006: Milkmaid and beggar, 1316, (1910)

Milkmaid and beggar, 1316, (1910). The beggar wears a horned hood which covers the shoulders like a cape. He carries a similarly dressed child on his back

Background imageImages Dated 19th July 2006: The Balandrana, (1910)

The Balandrana, (1910). The medieval Balandrana is another name for the super-totus when made of rich material as a robe for parade, not just cold weather

Background imageImages Dated 19th July 2006: King and Court, late 13th-14th century, (1910)

King and Court, late 13th-14th century, (1910). Medieval dress from the time of Edward II, (1272-1307)). The Court-pie was a short garment for cold weather

Background imageImages Dated 19th July 2006: Costume of the Four Seasons of the Year, (1910)

Costume of the Four Seasons of the Year, (1910). Medieval costumes worn in Spring, Summer, Autumn and Winter. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London)

Background imageImages Dated 19th July 2006: Ladys headdress, c1290, (1910)

Ladys headdress, c1290, (1910). Headdress of a well-to-do woman, consisting of a jewelled band, wimple and peplum showing modification in the early part of reign of Edward I

Background imageImages Dated 19th July 2006: Womens hairstyles, late 13th-early 14th century, (1910)

Womens hairstyles, late 13th-early 14th century, (1910). Hair-dressing from the time of Edward I, (1272-1307). It became the custom to lay aside the couvre-chef when indoors

Background imageImages Dated 19th July 2006: Knight, 1290, (1910)

Knight, 1290, (1910). The knight wears chain mail over a pot-de-fer, (iron skull-cap). Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageImages Dated 19th July 2006: Young girls, 13th century, (1910)

Young girls, 13th century, (1910). The robes are looped up in festoons to prevent them trailing on the ground. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London)

Background imageImages Dated 19th July 2006: Effigy of Queen Eleanor, consort of Henry II, 13th century, (1910)

Effigy of Queen Eleanor, consort of Henry II, 13th century, (1910). Tomb effigy from the Abbey of Fontevrault in Aquitaine near Anjou in Normandy, showing regal dress of the end of the 12th century

Background imageImages Dated 19th July 2006: Hunting costume, 13th century, (1910)

Hunting costume, 13th century, (1910). Braccae (breeches), are distinctly shown, and no cloaks are worn.The Coif finds echoes in the hoodie of the early 21st century

Background imageImages Dated 19th July 2006: Nobleman, 13th century, (1910)

Nobleman, 13th century, (1910). The mantle is fastened with a quadrilobed morse, (a type of fastening), and he wears cross-garters

Background imageImages Dated 19th July 2006: Doctor and servant, 13th century, (1910)

Doctor and servant, 13th century, (1910). The doctor wears a Phrygian cap, mantle, dalmatica with embroidered girdle and hem, and a tunic underneath. The servant wears a single tunic

Background imageImages Dated 19th July 2006: Queen Clotilda, 6th century, (1910)

Queen Clotilda, 6th century, (1910). The plaits of Clotilda, the Frankish queen who died c545 AD, reach below the knees, and are bound together by ribbons

Background imageImages Dated 19th July 2006: Regal costume, c1190, (1910)

Regal costume, c1190, (1910). The dalmatica is decorated with fleur-de-lys, and a heavily jewelled collar, pendant and jewelled belt are worn over it

Background imageImages Dated 19th July 2006: Development of the mitre, 1121-1161, (1910)

Development of the mitre, 1121-1161, (1910). Early ecclesiastical dress. A depression in the centre of the mitre (bishops headgear), has caused a small knob to become apparent on either side

Background imageImages Dated 19th July 2006: Abbot Elfnoth, 1020-1050, (1910)

Abbot Elfnoth, 1020-1050, (1910). A 19th-century depiction after an 11th-century manuscript, showing Abbot Elfnoth (died 980 AD) presenting his book of prayer to St Augustine

Background imageImages Dated 19th July 2006: Coiffures, late 18th century, (1910)

Coiffures, late 18th century, (1910). 1 and 2 are c1768, 3 and 4 are c1772. Broad braided bands cross each other at the back

Background imageImages Dated 19th July 2006: Satire on Walpole, 1738, (1910)

Satire on Walpole, 1738, (1910). Examples of costume: wigs are smaller than in the 17th century, and the coats are wide-skirted

Background imageImages Dated 19th July 2006: The Macaronies, 1772, (1910)

The Macaronies, 1772, (1910). The Macaroni Club in London was founded in 1772 by young men of the fashionable world who had been on the Grand Tour in Italy, in opposition to the Beef-Steak Club

Background imageImages Dated 19th July 2006: Nell Gwynn, 17th century, (1910)

Nell Gwynn, 17th century, (1910). Portrait of King Charles IIs mistress after Sir Peter Lely. The character of the dress of this period has taken on an unconfined ease

Background imageImages Dated 19th July 2006: Citizen and countryman, 1641, (1910)

Citizen and countryman, 1641, (1910). A 19th-century copy of a woodcut from a 17th-century tract, showing the contrast in dress between members of different social groups

Background imageImages Dated 19th July 2006: Citizen, 1641, (1910)

Citizen, 1641, (1910). A 19th-century copy of a woodcut from a 17th-century tract. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageImages Dated 19th July 2006: Countryman, 1641, (1910)

Countryman, 1641, (1910). A 19th-century copy of a woodcut from a 17th-century tract. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageImages Dated 19th July 2006: Citizens daughter, 1649, (1910)

Citizens daughter, 1649, (1910). Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageImages Dated 19th July 2006: English tradesmans wife, 1649, (1910)

English tradesmans wife, 1649, (1910). Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageImages Dated 19th July 2006: Female costume, 17th century, (1910)

Female costume, 17th century, (1910). Gentlewoman, burghers wife, and countrywoman, a 19th-century copy from Speeds Map of England, published early in the reign of Charles I (1625-1649)

Background imageImages Dated 19th July 2006: A bedroom party, 1631, (1910)

A bedroom party, 1631, (1910). These parties formed the subject of many popular sarcastic remarks. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageImages Dated 19th July 2006: English court lady, 1643, (1910)

English court lady, 1643, (1910). The lace collar surrounds the low-cut neck, tight-fitting bodice and full sleeves. The farthingale has disappeared

Background imageImages Dated 19th July 2006: The plague: flight to the country, 1630, (1910)

The plague: flight to the country, 1630, (1910). A 19th-century depicition of the transition stage of costume: the doublet reaching to mid-thigh, sometimes flared from the hips down

Background imageImages Dated 19th July 2006: Anne of Denmark, early 17th century, (1910)

Anne of Denmark, early 17th century, (1910). Portrait of Anne (1574-1619), the queen of James I. Her clothing is similar to the costume at the end of Elizabeth Is reign

Background imageImages Dated 19th July 2006: Haymaking, early 17th century, (1910)

Haymaking, early 17th century, (1910). Agricultural attire worn by peasants. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageImages Dated 19th July 2006: The Gunpowder Plotters, early 17th century, (1910)

The Gunpowder Plotters, early 17th century, (1910). The conspirators, from a picture painted in 1606: Robert Winter, Christopher Wright, John Wright, Thomas Percy, Guy Fawkes, Robert Catesby

Background imageImages Dated 19th July 2006: King James I, 1614, (1910)

King James I, 1614, (1910). The king (1566-1625) wears a thickly padded doublet and bombasted breeches. These appealed to him as being effective against the point of a dagger of rapier

Background imageImages Dated 19th July 2006: Mary, Queen of Scots, 1580, (1910)

Mary, Queen of Scots, 1580, (1910). Portrait of Mary (1542-1587) after a portrait by Mytens. Of special interest are the two wings at the sides

Background imageImages Dated 19th July 2006: Elizabethan costume, c1572, (1910)

Elizabethan costume, c1572, (1910). A family in 16th-century costume with lace ruffs, feathers and fur. Illustration from British Costume during 19 Centuries by Mrs Charles H Ashdown, (London, 1910)

Background imageImages Dated 19th July 2006: Costumes of town and country women, 16th century, (1910)

Costumes of town and country women, 16th century, (1910). The skirts are not distended, unlike those at the end of the reign of Elizabeth I (1558-1603)

Background imageImages Dated 19th July 2006: Queen Elizabeth I, c1580, (1910)

Queen Elizabeth I, c1580, (1910). A 19th-century rendition from the Penshurst portrait, presented to her by Sir Henry Sidney, painted by Zucchero

Background imageImages Dated 19th July 2006: A royal picnic, 1575, (1910)

A royal picnic, 1575, (1910). A 19th-century depiction taken from the Noble Art of Venerie by G Turberville, (1572). Elizabeth Is hat consists of a tall cylindrical crown

Background imageImages Dated 19th July 2006: Velvet breeches and cloth breeches, 1592, (1910)

Velvet breeches and cloth breeches, 1592, (1910). Frontispiece from Greenes Quip for an Upstart Courtier. The feathered hat of the courtier may be compared with that of the labourer

Background imageImages Dated 19th July 2006: Queen Elizabeth I hawking, 1575, (1910)

Queen Elizabeth I hawking, 1575, (1910). A 19th-century rendition from the Art of Falconrie by Turberville, (1585). The doublets have innumerable slashing

Background imageImages Dated 19th July 2006: Edward VI, 16th century, (1910)

Edward VI, 16th century, (1910). Portrait after Holbein of Edward (1537-1553) who became king in 1547 at nine years of age

Background imageImages Dated 19th July 2006: Jane Seymour, 16th century, (1910)

Jane Seymour, 16th century, (1910). Portrait after Holbein of Henry VIIIs third wife wearing the Transition style of headdress, a combination of the coif and the kennel

Background imageImages Dated 19th July 2006: The Lady Buts, 16th century, (1910)

The Lady Buts, 16th century, (1910). Portrait after Holbein of Lady Buts wearing the Transition style of headdress, a combination of the coif and the kennel, with lingering traces of the kennel

Background imageImages Dated 19th July 2006: Lady Audley, 16th century, (1910)

Lady Audley, 16th century, (1910). Portrait after Holbein of Elizabeth, Lady Audley wearing the Transition style of headdress, a combination of the coif and the kennel



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site