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Home > All Images > 2006 > October > 31 Oct 2006

Images Dated 31st October 2006 (page 2)

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Background imageImages Dated 31st October 2006: English Travelling, or the First Stage from Dover, 1785. Artist: Thomas Rowlandson

English Travelling, or the First Stage from Dover, 1785. Artist: Thomas Rowlandson
English Travelling, or the First Stage from Dover, 1785. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily

Background imageImages Dated 31st October 2006: French Travelling, or the First Stage from Calais, 1792. Artist: F Dukes

French Travelling, or the First Stage from Calais, 1792. Artist: F Dukes
French Travelling, or the First Stage from Calais, 1792. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily

Background imageImages Dated 31st October 2006: A French Family, 1790. Artist: Samuel Alken

A French Family, 1790. Artist: Samuel Alken
A French Family, 1790. An anti-French view of our continental cousins: a dog wearing clothes, a man with an effete hairstyle, a child showing her legs

Background imageImages Dated 31st October 2006: Reconciliation or the Return from Scotland, late 18th century

Reconciliation or the Return from Scotland, late 18th century. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: La Francoise a Londres: The French Lady in London or The Head-dress of the Year 1771

La Francoise a Londres: The French Lady in London or The Head-dress of the Year 1771. A satire on the exaggerated hairstyles of the day

Background imageImages Dated 31st October 2006: The English Lady at Paris, 1771. Artist: Charles Brandoin

The English Lady at Paris, 1771. Artist: Charles Brandoin
The English Lady at Paris, 1771. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: A French Petit Maitre and his Valet, late 18th century. Artist: Charles Grignion

A French Petit Maitre and his Valet, late 18th century. Artist: Charles Grignion
A French Petit Maitre and his Valet, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston

Background imageImages Dated 31st October 2006: A Unwelcome customer, 1772. Artist: Caldwell

A Unwelcome customer, 1772. Artist: Caldwell
A Unwelcome customer, 1772. A bull bursts into a shop, shocking the lady customers who drop the samples of lace they were looking at. The bull has a fur muff on one horn

Background imageImages Dated 31st October 2006: The Country Vicars Fire Side, 1781. Artist: E Williams

The Country Vicars Fire Side, 1781. Artist: E Williams
The Country Vicars Fire Side, 1781. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: The Rival Milliners, 1770

The Rival Milliners, 1770. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: A Milliners Shop; Mrs Monopolize, the butchers wife, purchasing a modern head dress, 1772

A Milliners Shop; Mrs Monopolize, the butchers wife, purchasing a modern head dress, 1772. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Dancing Bear, 1785. Artist: C Knight

Dancing Bear, 1785. Artist: C Knight
Dancing Bear, 1785. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Female Orators, 1768. Artist: Rennoldson

The Female Orators, 1768. Artist: Rennoldson
The Female Orators, 1768. Two women are having an argument while a dog and a small boy steal from their baskets of market wares

Background imageImages Dated 31st October 2006: High-Life Below Stairs, 1772. Artist: Caldwell

High-Life Below Stairs, 1772. Artist: Caldwell
High-Life Below Stairs, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Well-a-day! Is this my son Tom!, 1770

Well-a-day! Is this my son Tom!, 1770. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageImages Dated 31st October 2006: Grown Gentlemen Taught to Dance, 1768. Artist: B Clowes

Grown Gentlemen Taught to Dance, 1768. Artist: B Clowes
Grown Gentlemen Taught to Dance, 1768. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds])

Background imageImages Dated 31st October 2006: Grown Ladies Taught to Dance, 1750. Artist: Rennoldson

Grown Ladies Taught to Dance, 1750. Artist: Rennoldson
Grown Ladies Taught to Dance, 1750. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: A Pleasing Method of Rouzing the Doctor or a Thythe Pig No Bad Sight. 1770

A Pleasing Method of Rouzing the Doctor or a Thythe Pig No Bad Sight. 1770. Satire on the clergy - a woman is tickling the doctors nose with the tail of a piglet that she is obliged to give him as a

Background imageImages Dated 31st October 2006: Stand Coachman, or The Haughty Lady Well Fitted, 1750

Stand Coachman, or The Haughty Lady Well Fitted, 1750. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston

Background imageImages Dated 31st October 2006: Christmas Gambolls, Boxing Day, 1747

Christmas Gambolls, Boxing Day, 1747. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds])

Background imageImages Dated 31st October 2006: The Stage Coach or Country Inn Yard, 1747. Artist: William Hogarth

The Stage Coach or Country Inn Yard, 1747. Artist: William Hogarth
The Stage Coach or Country Inn Yard, 1747. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageImages Dated 31st October 2006: A Parish Feast, 1741

A Parish Feast, 1741. Humbly inscribed to the church-wardens, vestrymen, questmen, and Parish officers, by Sr Guzzledown Tearfowl. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Fore-warned, Fore-armed, 1741. Artist: E Gravelot

Fore-warned, Fore-armed, 1741. Artist: E Gravelot
Fore-warned, Fore-armed, 1741. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The View and Humours of Billingsgate, 1736

The View and Humours of Billingsgate, 1736. Londons famous fish market. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Morning (Four Times of the Day), 1738. Artist: William Hogarth

Morning (Four Times of the Day), 1738. Artist: William Hogarth
Morning (Four Times of the Day), 1738. Scene in Covent Garden, London, early on a winter morning. A small fire burns in the foreground. A stall-keeper is seated on a basket

Background imageImages Dated 31st October 2006: A Prince and a Poltroon, 1789

A Prince and a Poltroon, 1789. The Prince of Wales (the future King George IV). Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The York Reverence or City Loyalty, Amply Rewarded, 1796

The York Reverence or City Loyalty, Amply Rewarded, 1796. Frederick, Duke of York (1763-1821) and his wife Frederica, Duchess of York (1767-1820)

Background imageImages Dated 31st October 2006: A Voluptuary Under the Horrors of Digestion, 1792. Artist: James Gillray

A Voluptuary Under the Horrors of Digestion, 1792. Artist: James Gillray
A Voluptuary Under the Horrors of Digestion, 1792. Engraving of the Prince Regent, (later King George IV), who was famous for his gluttonous appetite

Background imageImages Dated 31st October 2006: Georgey a Cockhorse, 1796

Georgey a Cockhorse, 1796. George, Prince of Wales (the future King George IV). Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: City Horsemanship or Procession to St Paul s, 1789

City Horsemanship or Procession to St Paul s, 1789. Royal procession to St Pauls Cathedral in London; signs say Seats to Let, St Georges Day, and God Save the King (George III)

Background imageImages Dated 31st October 2006: A Milliners Shop, 1787

A Milliners Shop, 1787
A Milliners Shop. 1787. From Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseud Emily Morse Symonds]. [London, 1905]

Background imageImages Dated 31st October 2006: Summer Amusement at Farmer G----s near Windsor, 1786

Summer Amusement at Farmer G----s near Windsor, 1786. The Prince of Wales (the future King George IV) churns butter. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Constant Couple, 1786

The Constant Couple, 1786. The Prince of Wales (future King George IV) and his mistress Mrs Fitzherbert travelling to Windsor. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: A Scene in the School for Scandal, 1786

A Scene in the School for Scandal, 1786. An auction scene with the Prince of Wales (later King George IV), bidding for lots including a portrait of his mistress Mrs Fitzherbert

Background imageImages Dated 31st October 2006: The April Fool, or The Follies of a Night... 1786

The April Fool, or The Follies of a Night... 1786
The April Fool, or The Follies of a Night as performed at the Theatre Royal, C---- House, for the benefit of the Widow Wadman, 1786. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: A Wife and No wife - or - a Trip to the Continent, 1786. Artist: Carlo Khan

A Wife and No wife - or - a Trip to the Continent, 1786. Artist: Carlo Khan
A Wife and No wife - or - a Trip to the Continent, 1786. Satire on the secret marriage said to have taken place between the Prince of Wales and Mrs Fitzherbert

Background imageImages Dated 31st October 2006: Monuments lately discovered on Salisbury Plain, 1782

Monuments lately discovered on Salisbury Plain, 1782. The Prince Regent is attracted to the Marchioness of Salisbury. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Bird of Paradise, 1772

The Bird of Paradise, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Kitchen Metamorphosed, 1762

The Kitchen Metamorphosed, 1762. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: John of Gant mounted, or, Mars on his Journey... 1747

John of Gant mounted, or, Mars on his Journey... 1747
John of Gant mounted, or, Mars on his Journey. If music be the food of love, play on, 1747. The Duke of Cumberland, younger son of George II, uncle of George III and famous womaniser

Background imageImages Dated 31st October 2006: St Jamess in October... 1750

St Jamess in October... 1750
St Jamess in October. The King at Hanover. MDCCL (7 months absent), 1750. Possibly a satirical criticism of King George IIs prolonged absence in his home country

Background imageImages Dated 31st October 2006: Frederick Prince of Wales and the Princess Augusta of Saxe-Gotha, 1736

Frederick Prince of Wales and the Princess Augusta of Saxe-Gotha, 1736. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Military Prophet... April 1750

The Military Prophet... April 1750
The Military Prophet: or, A Flight from Providence. Adressed to the foolish and guilty who timidly withdrew themselves on the alarm of another earthquake, April 1750

Background imageImages Dated 31st October 2006: English Credulity, or The Invisible Ghost, 1762

English Credulity, or The Invisible Ghost, 1762. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston

Background imageImages Dated 31st October 2006: The Magician or Bottle Cungerer. English Credulity: or, Ye re all Bottled, 1749

The Magician or Bottle Cungerer. English Credulity: or, Ye re all Bottled, 1749. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: An Apology to the Town, 1749

An Apology to the Town, 1749. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Lottery, 1721. Artist: William Hogarth

The Lottery, 1721. Artist: William Hogarth
The Lottery, 1721. A theatre stage upon which the allegorical figures of virtue and vice perform a production. This was Hogarths way of criticising the government for raising money by lottery

Background imageImages Dated 31st October 2006: A Satire on the South Sea Company, 1721. Artist: William Hogarth

A Satire on the South Sea Company, 1721. Artist: William Hogarth
A Satire on the South Sea Company, 1721. The South Sea Bubble (1711-1720), showing greed and speculation which preceded the bubble



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