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Home > All Images > 2006 > October > 31 Oct 2006

Images Dated 31st October 2006 (page 5)

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Background imageImages Dated 31st October 2006: If musicks charms can hearts enthral, 1730. Artist: William Hogarth

If musicks charms can hearts enthral, 1730. Artist: William Hogarth
If musicks charms can hearts enthral, this consorts sure above em all. How sweet the sound where cats and bears, with brutish noise offend our ears, just so the foreign singers move

Background imageImages Dated 31st October 2006: The Stage Medley, 18th century

The Stage Medley, 18th century
The Stage Medley: representing the state of the town and the matchless merits of poet G---Polly Peachum and Captain Macheath, 18th century. Scenes from The Beggars Opera, written in 1728 by John Gay

Background imageImages Dated 31st October 2006: Berenstat, Cuzzoni and Senesino c1725. Artist: William Hogarth

Berenstat, Cuzzoni and Senesino c1725. Artist: William Hogarth
Berenstat, Cuzzoni and Senesino c1725. The Italian opera singers Gaetano Berenstadt (c1687-1735), Francesca Cuzzoni Sandoni (1700-1770) and Francesco Bernardi

Background imageImages Dated 31st October 2006: The Landing of Senesino, 1720

The Landing of Senesino, 1720. The Italian castrato opera singer (Francesco Bernardi, 1686-1758) arrives in England. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: High Change in Bond Street - ou - la Politesse du Grand Monde, 1796

High Change in Bond Street - ou - la Politesse du Grand Monde, 1796. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: People of consequence, 1794. Artist: John O Keeffe

People of consequence, 1794. Artist: John O Keeffe
People of consequence, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Such things are, That such things are we must allow, but such things never were till now, 1787

Such things are, That such things are we must allow, but such things never were till now, 1787. A satire on the unflattering fashions of the day

Background imageImages Dated 31st October 2006: Comforts of Bath: The Games, or Assembly with Card Players, 1798. Artist: Thomas Rowlandson

Comforts of Bath: The Games, or Assembly with Card Players, 1798. Artist: Thomas Rowlandson
Comforts of Bath: The Games, or Assembly with Card Players, 1798. The smart set enjoying the season at Bath, home of the famous Roman baths and Pump Room

Background imageImages Dated 31st October 2006: And catch the living manners as they rise, 1794

And catch the living manners as they rise, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageImages Dated 31st October 2006: Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton

Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton
Shepherds, I have lost my waist! Have you seen my body? Sacrificed to modern taste, I m quite a hoddy doddy!, 1795. A satire on the unflattering fashions of the day

Background imageImages Dated 31st October 2006: The Return from St James after the honour of Knighthood, 1792

The Return from St James after the honour of Knighthood, 1792. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Parasols for 1795

Parasols for 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: A Spencer and a Threadpaper, 1792

A Spencer and a Threadpaper, 1792. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: A Sudden Squall in Hyde Park, c1791. Artist: Thomas Rowlandson

A Sudden Squall in Hyde Park, c1791. Artist: Thomas Rowlandson
A Sudden Squall in Hyde Park, c1791. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: A Lady putting on her cap, June 1795

A Lady putting on her cap, June 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageImages Dated 31st October 2006: Exaltation of Faros daughters, 1796

Exaltation of Faros daughters, 1796. Albinia, Countess of Buckinghamshire (left) and Lady Archer are ridiculed in the stocks, as the mob throw rotten vegetables at them

Background imageImages Dated 31st October 2006: Characters in High Life... 1795

Characters in High Life... 1795
Characters in High Life sketched at The New Rooms Opera House - Delightful Task! to teach the young idea how to shoot, 1795. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Waggoners Frocks or No Bodys of 1795, 1795

Waggoners Frocks or No Bodys of 1795, 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageImages Dated 31st October 2006: Modern Elegance: A Portrait, 1796

Modern Elegance: A Portrait, 1796. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: The Scotch Wedding, 18th century

The Scotch Wedding, 18th century. In Hollands Exhibition Rooms may be seen the largest collection in Europe of Humorous Prints. Admittance, one shilling

Background imageImages Dated 31st October 2006: Enter Cowslip with a bowl of cream, 1795

Enter Cowslip with a bowl of cream, 1795. As a cedar tall and slender, sweet cowslips grace, is her nom tive case, and shes of the feminine gender - John O Keefe (1747-1833)

Background imageImages Dated 31st October 2006: La Belle Assemblee, 1787

La Belle Assemblee, 1787. Here love his golden shafts employs; here lights his constant lamp; and waves his purple wings reigns here and revels. (Milton)

Background imageImages Dated 31st October 2006: The Portland Place, 18th century

The Portland Place, 18th century
The Portland Place A- -R. Driving without a beau to R- -Ds perfume warehouse, P-LL, M-LL, 18th century. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Vauxhall Gardens, 1795. Artist: Thomas Rowlandson

Vauxhall Gardens, 1795. Artist: Thomas Rowlandson
Vauxhall Gardens, 1795. Vauxhall Gardens in Lambeth, London, was a pleasure ground open for public amusement, and filled with statues, landscaped walks, theatrical arches, a Rotunda

Background imageImages Dated 31st October 2006: 1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson

1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson
1784, or the Fashions of the Day, 1784. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageImages Dated 31st October 2006: St James Park, 1783. Artist: Henry William Bunbury

St James Park, 1783. Artist: Henry William Bunbury
St James Park, 1783. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Apotheosis of the Duchess of Devonshire, 1784

The Apotheosis of the Duchess of Devonshire, 1784. Georgiana Cavendish, Duchess of Devonshire, flanked by Truth and Virtue, tramples Scandal underfoot

Background imageImages Dated 31st October 2006: The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784

The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Artist: Thomas Rowlandson
The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: A Meeting of Umbrellas 1782. Artist: J Kent

A Meeting of Umbrellas 1782. Artist: J Kent
A Meeting of Umbrellas 1782. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: The Ton at Greenwich: A la festoon dans le park a Greenwich 1777

The Ton at Greenwich: A la festoon dans le park a Greenwich 1777. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Miss Calash drawn by Miss Calash, 1778. Artist: Miss Calash

Miss Calash drawn by Miss Calash, 1778. Artist: Miss Calash
Miss Calash drawn by Miss Calash, 1778. Woman wearing a large folding hood to protect her elaborate hairstyle. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Buckles and Buttons: I am the thing, dem-me, 1777

Buckles and Buttons: I am the thing, dem-me, 1777. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageImages Dated 31st October 2006: Steel Buttons, Coup de Bouton, 1777

Steel Buttons, Coup de Bouton, 1777. A woman with an elaborate hairstyle is dazzled by extremely shiny buttons on a mans coat. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Optic Curls, 18th century

The Optic Curls, 18th century. Gentleman theatre goers use one of their female companions elaborate curls as opera glasses. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Hints to the ladies to take care of their heads, 1776

Hints to the ladies to take care of their heads, 1776. An elaborate hairdo catches fire. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Preposterous Head Dress or The Feathered Lady, 1776

The Preposterous Head Dress or The Feathered Lady, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily

Background imageImages Dated 31st October 2006: A Masquerade Scene at the Pantheon, 1773. Artist: Charles White

A Masquerade Scene at the Pantheon, 1773. Artist: Charles White
A Masquerade Scene at the Pantheon, 1773. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Background imageImages Dated 31st October 2006: The Female Coterie, 18th century. Artist: T Bonner

The Female Coterie, 18th century. Artist: T Bonner
The Female Coterie, 18th century. Well, this is certainly one of the most useful institutions:- Lame Lover. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Interior of the Pantheon in Oxford Road, 1772. Artist: Richard Earlom

The Interior of the Pantheon in Oxford Road, 1772. Artist: Richard Earlom
The Interior of the Pantheon in Oxford Road, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Background imageImages Dated 31st October 2006: Pantheon Macaroni, 1782

Pantheon Macaroni, 1782. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: A Gentlemans Dressing Room, 1771. Artist: J Golder

A Gentlemans Dressing Room, 1771. Artist: J Golder
A Gentlemans Dressing Room, 1771. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Background imageImages Dated 31st October 2006: The Present Age... 1767.Artist: LP Boitard

The Present Age... 1767.Artist: LP Boitard
The Present Age: Adress d to the professsors of driving, dressing, ogling writing, playing, gambling, racing, dancing, duelling, boxing, swearing, humming, building, etc, etc, etc, 1767

Background imageImages Dated 31st October 2006: Lusus Naturae, or Carracturas of the present age 1752. Artist: John June

Lusus Naturae, or Carracturas of the present age 1752. Artist: John June
Lusus Naturae, or Carracturas of the present age. 1752. Lusus naturae means freak of nature. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: The Imports of Great Britain from France... 1757.Artist: LP Boitard

The Imports of Great Britain from France... 1757.Artist: LP Boitard
The Imports of Great Britain from France: Humbly address d to the laudable association of anti-gallicans, and the generous promoters of the British Arts

Background imageImages Dated 31st October 2006: The Beau Monde in St Jamess Park, 1750. Artist: LP Boitard

The Beau Monde in St Jamess Park, 1750. Artist: LP Boitard
The Beau Monde in St Jamess Park, 1750. The smart set parading in a London park, with a quote from Alexander Pope: The ruling passion be it what it will, the ruling passion conquers reason still

Background imageImages Dated 31st October 2006: Folly Triumphant, 1749. Artist: LP Boitard

Folly Triumphant, 1749. Artist: LP Boitard
Folly Triumphant, 1749. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageImages Dated 31st October 2006: Paintin a la Mode, 1748

Paintin a la Mode, 1748
Paintin a la Mode: Published according to the Act of Parliament, September 1748 for J Wakelin. Illustration from Social Caricature in the Eighteenth Century

Background imageImages Dated 31st October 2006: Fireworks at Green Park, St Jamess, April 27th, 1749

Fireworks at Green Park, St Jamess, April 27th, 1749
Fireworks at Green Park, St James s, April 27th, 1749. The Grand Whim for Prosperity to Laugh at: Being the night view of the royal fireworks as exhibited in the Green Park



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