Fraud Blocker Skip to main content

Home > All Images > 2007 > July > 7 Jul 2007

Images Dated 7th July 2007 (page 3)

511 items

Background imageImages Dated 7th July 2007: Napoleons signature when he was commandant of artillery in 1793, (1840)

Napoleons signature when he was commandant of artillery in 1793, (1840). Artist: Napoleon Bonaparte I
Napoleons signature when he was commandant of artillery in 1793, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents, by Charles John Smith

Background imageImages Dated 7th July 2007: Residence of John Hoole, Great Queen Street, Lincolns Inn Fields, London, 1840. Artist: C J Smith

Residence of John Hoole, Great Queen Street, Lincolns Inn Fields, London, 1840. Artist: C J Smith
Residence of John Hoole, the translator of Ariosto, Great Queen Street, Lincolns Inn Fields, London, 1840. The home of John Hoole (1727-1803)

Background imageImages Dated 7th July 2007: Exterior view of the Italian Opera House, Haymarket, 18th century, (1840)

Exterior view of the Italian Opera House, Haymarket, 18th century, (1840). Artist: Charles John Smith
Exterior view of the Italian Opera House and Ridauts Fencing Academy, Haymarket, London, 18th century, (1840). It was burnt down in 1789

Background imageImages Dated 7th July 2007: Memento-Mori watch presented by Mary Queen of Scots to Mary Seaton, 16th century, (1840)

Memento-Mori watch presented by Mary Queen of Scots to Mary Seaton, 16th century, (1840). Artist: C J Smith
Memento-Mori watch presented by Mary Queen of Scots to her attendant Mary Seaton, 16th century, (1840). Illustration from Historical

Background imageImages Dated 7th July 2007: Grave of Bessy Bell and Mary Gray, near Perth, 1840. Artist: C J Smith

Grave of Bessy Bell and Mary Gray, near Perth, 1840. Artist: C J Smith
Grave of Bessy Bell and Mary Gray, near Perth, 1840. According to a ballad, in 1666 Betsy and Mary built themselves a bower to avoid catching the plague

Background imageImages Dated 7th July 2007: Wallaces Nook, Aberdeen, 1840. Artist: C J Smith

Wallaces Nook, Aberdeen, 1840. Artist: C J Smith
Wallaces Nook, Aberdeen, 1840. Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents, by Charles John Smith, (Henry G Bohn, London, 1840)

Background imageImages Dated 7th July 2007: Trotton, Syssex, the birth place of Otway, 1840. Artist: C J Smith

Trotton, Syssex, the birth place of Otway, 1840. Artist: C J Smith
Trotton, Sussex, the birthplace of Thomas Otway, 1840. English dramatist Otway (1652-1685) was born here. Illustration from Historical

Background imageImages Dated 7th July 2007: Tomb of Edmund Waller, Beaconsfield, Buckinghamshire, 1840. Artist: C J Smith

Tomb of Edmund Waller, Beaconsfield, Buckinghamshire, 1840. Artist: C J Smith
Tomb of Edmund Waller, Beaconsfield, Buckinghamshire, 1840. Monument to Edmund Waller (1606-1687), English politician and poet

Background imageImages Dated 7th July 2007: Mill at Bannockburn, in which James III of Scotland was killed in 1488, (1840). Artist: C J Smith

Mill at Bannockburn, in which James III of Scotland was killed in 1488, (1840). Artist: C J Smith
Mill at Bannockburn, in which James III of Scotland was killed in 1488, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageImages Dated 7th July 2007: Garricks Cup, carved from Shakespeares mulberry tree, 18th century, (1840)

Garricks Cup, carved from Shakespeares mulberry tree, 18th century, (1840). Cup belonging to the actor David Garrick, made from a tree which had been owned by William Shakespeare

Background imageImages Dated 7th July 2007: Upper Flask Tavern, Hampstead Heath, residence of George Steevens, 1840

Upper Flask Tavern, Hampstead Heath, residence of George Steevens, 1840
Upper Flask Tavern, Hampstead Heath, residence of George Steevens, (1840). The tavern was at one time the home of English Shakespearean commentator George Steevens (1736-1800)

Background imageImages Dated 7th July 2007: Birth place of Reverend James Hervey, Hardingston, near Northampton, 1840

Birth place of Reverend James Hervey, Hardingston, near Northampton, 1840
Birthplace of Reverend James Hervey, Hardingston, near Northampton, 1840. The birthplace of Hervey (1714-1758), a devotional writer

Background imageImages Dated 7th July 2007: Facsimile of an original letter addressed by Titus Oates to Charles Howard, 1681, (1840)

Facsimile of an original letter addressed by Titus Oates to Charles Howard, 1681, (1840). Artist: Titus Oates
Facsimile of an original letter addressed by Titus Oates to Charles Howard, 1681, (1840). Letter addressed by Titus Oates to Charles Howard, son of Henry Frederick Howard, Earl of Arundel

Background imageImages Dated 7th July 2007: Standing bowl and cover of silver gilt, 1840. Artist: Robert Blemmell Schnebbelie

Standing bowl and cover of silver gilt, 1840. Artist: Robert Blemmell Schnebbelie
Standing bowl and cover of silver gilt, 1840. Presented by William Camden, Clarencieux King at Arms, to the Worshipful Company of Paper Stainers

Background imageImages Dated 7th July 2007: Interior view of Astleys Amphitheatre in London as it appeared in 1777, (1840)

Interior view of Astleys Amphitheatre in London as it appeared in 1777, (1840). Artist: William Capon
Interior view of Astleys Amphitheatre in London as it appeared in 1777, (1840). Philip Astley was the father of modern circus

Background imageImages Dated 7th July 2007: Exterior view of Astleys Amphitheatre in London as it appeared in 1777, (1840)

Exterior view of Astleys Amphitheatre in London as it appeared in 1777, (1840). Artist: William Capon
Exterior view of Astleys Amphitheatre in London as it appeared in 1777, (1840). Philip Astley was the father of modern circus

Background imageImages Dated 7th July 2007: Letter from Thomas Gray concerning the edition of his poetical pieces, c1753, (1840)

Letter from Thomas Gray concerning the edition of his poetical pieces, c1753, (1840). Artist: Thomas Gray
Facsimile of an original letter from Thomas Gray concerning the edition of his poetical pieces, c1753, (1840). Published in 1753, by Bentley

Background imageImages Dated 7th July 2007: Stoke Poges Church, Buckinghamshire, c1750, (1840). Artist: C J Smith

Stoke Poges Church, Buckinghamshire, c1750, (1840). Artist: C J Smith
Stoke Poges Church, Buckinghamshire, c1750, (1840). Thomas Grays Elegy Written in a Country Churchyard is believed to have been written in the churchyard of the St Giles Church in Stoke Poges

Background imageImages Dated 7th July 2007: Prologues and text from the manuscript of Corpus Christi plays, 15th century, (1840)

Prologues and text from the manuscript of Corpus Christi plays, 15th century, (1840). Manuscript of Corpus Christi plays, or Sacred Dramatic Mysteries, performed at Coventry and other cities

Background imageImages Dated 7th July 2007: The Freedom of Stratford-upon-Avon, presented to David Garrick, 1768, (1840)

The Freedom of Stratford-upon-Avon, presented to David Garrick, 1768, (1840). A facsimile of the Freedom of Stratford-upon-Avon presented to the actor David Garrick in a carved cassolette made

Background imageImages Dated 7th July 2007: Carved cassolette made from the wood of Shakespeares mulberry tree, c18th century, (1840)

Carved cassolette made from the wood of Shakespeares mulberry tree, c18th century, (1840)
Cover of the carved cassolette made from the wood of Shakespeares mulberry tree, c18th century, (1840). Presented to David Garrick by the corporation of the borough, at the Shakespeare Jubilee

Background imageImages Dated 7th July 2007: Ivy Cottage, Highgate, residence of Charles Mathews, early 19th century, (1840)

Ivy Cottage, Highgate, residence of Charles Mathews, early 19th century, (1840)
Ivy Cottage, Highgate, residence of Charles Mathews, and a letter by him, early 19th century, (1840). Facsimile of a letter written by theatre manager and actor Charles Mathews (1776-1835)

Background imageImages Dated 7th July 2007: The pulpit of John Knox, and signatures of several eminent personages, 16th century, (1840)

The pulpit of John Knox, and signatures of several eminent personages, 16th century, (1840). Artist: C J Smith
The pulpit of John Knox, Parish Church of St Andrews, Fife, and signatures of several eminent personages connected with the reformation of religion in Scotland, 16th century, (1840)

Background imageImages Dated 7th July 2007: Part of a letter from Henry St John, 1st Viscount Bolingbroke, early 18th century, (1840)

Part of a letter from Henry St John, 1st Viscount Bolingbroke, early 18th century, (1840). Part of a letter from the Right Honorable Henry St John, 1st Viscount Bolingbroke, to Jonathan Swift

Background imageImages Dated 7th July 2007: A letter letter from John, 1st Baron Somers, early 18th century, (1840). Artist: Sir Hans Sloane

A letter letter from John, 1st Baron Somers, early 18th century, (1840). Artist: Sir Hans Sloane
Part of an original letter letter from John Somers, 1st Baron Somers, early 18th century, (1840). Letter from John, 1st Baron Somers, to Sir Hans Sloane

Background imageImages Dated 7th July 2007: Calligraphic exhibition bill of Matthew Buchinger, Dwarf of Nurnburg, 1717, (1840)

Calligraphic exhibition bill of Matthew Buchinger, Dwarf of Nurnburg, 1717, (1840). Artist: Matthew Buchinger
Calligraphic exhibition bill of Matthew Buchinger, Dwarf of Nurnburg, 1717, (1840). Facsimile of a bill advertising the talents of Matthias (or Matthew) Buchinger sent to Robert Harley

Background imageImages Dated 7th July 2007: Part of a letter from Thomas Secker, Bishop of Oxford, 17 August 1752, (1840). Artist: Thomas Secker

Part of a letter from Thomas Secker, Bishop of Oxford, 17 August 1752, (1840). Artist: Thomas Secker
Part of a letter from Thomas Secker, Bishop of Oxford, 17 August 1752, (1840). Letter from Thomas Secker, afterwards Archbishop of Canterbury, respecting the last illness of Martin Benson

Background imageImages Dated 7th July 2007: Enamelled jewel presented by Mary Queen of Scots, to George Gordon, 16th century, (1840)

Enamelled jewel presented by Mary Queen of Scots, to George Gordon, 16th century, (1840). Artist: C J Smith
Enamelled jewel presented by Mary Queen of Scots, to George Gordon, 4th Earl of Huntly, 16th century, (1840). A lock of Marys hair is attached to the ivory skull

Background imageImages Dated 7th July 2007: The residence of Sir Isaac Newton, St Martins Street, Leicester Square, 1840. Artist: C J Smith

The residence of Sir Isaac Newton, St Martins Street, Leicester Square, 1840. Artist: C J Smith
The residence of Sir Isaac Newton, St Martins Street, Leicester Square, 1840. House inhabited by Newton (1642-1727) from 1710 to 1727

Background imageImages Dated 7th July 2007: House occupied by the Royal Society, Crane Court, Fleet Street, 1678-1760, (1840). Artist: C J Smith

House occupied by the Royal Society, Crane Court, Fleet Street, 1678-1760, (1840). Artist: C J Smith
House occupied by the Royal Society, Crane Court, Fleet Street, 1678-1760, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageImages Dated 7th July 2007: Letter from Abraham Cowley, late 17th-early 18th century, (1840). Artist: Abraham Cowley

Letter from Abraham Cowley, late 17th-early 18th century, (1840). Artist: Abraham Cowley
Part of a letter from Abraham Cowley, and a view of his residence at Chertsey, Surrey, late 17th-early 18th century, (1840)

Background imageImages Dated 7th July 2007: Certificate for the election of Mr John Nichols to the Society of Antiquaries, 1777, (1840)

Certificate for the election of Mr John Nichols to the Society of Antiquaries, 1777, (1840). Artist: Richard Gough
Certificate for the election of Mr John Nichols to the Society of Antiquaries, 1777, (1840). Facsimile of a certificate for the election of a printer named John Nichols to the Society of Antiquaries

Background imageImages Dated 7th July 2007: A note from Thomas Coram, the founder of the Foundling Hospital, 1747, (1840). Artist: Thomas Coram

A note from Thomas Coram, the founder of the Foundling Hospital, 1747, (1840). Artist: Thomas Coram
A note from Thomas Coram, the founder of the Foundling Hospital, 1747, (1840). A note to the steward or matron from philanthropist Captain Thomas Coram (1668-1751)

Background imageImages Dated 7th July 2007: Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840)

Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840). Artist: James Boswell
Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840). Letter from James Boswell, the diarist and biographer of Samuel Johnson to the actor David Garrick

Background imageImages Dated 7th July 2007: A letter from George Villiers about the Great Fire of London, 6 September 1666, (1840)

A letter from George Villiers about the Great Fire of London, 6 September 1666, (1840). A letter from George Villiers, 2nd Duke of Buckingham

Background imageImages Dated 7th July 2007: A letter from Dr Johnson, on his finishing the Lives of the Poets, c1780, (1840)

A letter from Dr Johnson, on his finishing the Lives of the Poets, c1780, (1840). Artist: James Boswell
A letter from Dr Samuel Johnson, on his finishing the Lives of the Most Eminent English Poets, c1781, (1840). Illustration from Historical

Background imageImages Dated 7th July 2007: A letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840)

A letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840). Artist: John Howard
Part of a letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840). View of the philanthropist and prison reformers birthplace at Clapton, Middlesex

Background imageImages Dated 7th July 2007: Report of Sir Christopher Wren to the Committee of the City Lands, 1675, (1840)

Report of Sir Christopher Wren to the Committee of the City Lands, 1675, (1840). Artist: Sir Christopher Wren
Report of Sir Christopher Wren to the Committee of the City Lands, 1675, (1840). A report dated 28 July 1675, respecting the finishing of Wrens Monument commemorating the Great Fire of London (1666)

Background imageImages Dated 7th July 2007: A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840)

A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840). Artist: Edward Young
A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840). A letter from Edward Young, author of Night Thoughts, addressed to Dodsley the bookseller

Background imageImages Dated 7th July 2007: Declaration of the bishops in favour of King Henry VIIIs powers, 16th century, (1840)

Declaration of the bishops in favour of King Henry VIIIs powers, 16th century, (1840)
Declaration of eight of the bishops in favour of King Henry VIIIs power in ecclesiastical affairs, 16th century, (1840). Christian princes may also make ecclesiastical laws

Background imageImages Dated 7th July 2007: Letters from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840)

Letters from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840). Artist: James Beattie
Extract of a letter from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840). Extract of a letter from Dr Beattie to Garrick, presenting his poem of The Minstrel

Background imageImages Dated 7th July 2007: A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840)

A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840). Artist: James Granger
A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840). Extract of a letter from Granger to the Reverend Mr Cole, on the mania for collecting English portraits

Background imageImages Dated 7th July 2007: Extract of a letter from Lord Orrery to Dr Birch, 1746, (1840)

Extract of a letter from Lord Orrery to Dr Birch, 1746, (1840). Artist: John Boyle, Earl of Corke and Orrery
Extract of a letter from Lord Orrery to Dr Birch, on the character of the English nation, 1746, (1840). Illustration from Historical

Background imageImages Dated 7th July 2007: Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840)

Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Artist: Charles Montague
Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageImages Dated 7th July 2007: A letter in rhyme from Cowper, the poet, to the Reverend John Newton, 1771, (1840)

A letter in rhyme from Cowper, the poet, to the Reverend John Newton, 1771, (1840). Artist: William Cowper
A letter in rhyme from William Cowper the poet, to the Reverend John Newton, 1771, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageImages Dated 7th July 2007: Poem by Dr Doddridge, 1746, (1840). Artist: Philip Doddridge

Poem by Dr Doddridge, 1746, (1840). Artist: Philip Doddridge
Poem by Dr Doddridge, 1746, (1840). Facsimile of a poem by Philip Doddridge (1702-1751). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageImages Dated 7th July 2007: A letter from Addison, and a view of his birthplace, late 17th-early 18th century, (1840)

A letter from Addison, and a view of his birthplace, late 17th-early 18th century, (1840). Artist: Joseph Addison
A letter from Addison, and a view of his birthplace at Milston, Wiltshire, late 17th-early 18th century, (1840). A letter from Joseph Addison (1672-1719), respecting a passage in the work of Statius

Background imageImages Dated 7th July 2007: A letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). Artist: John Graham

A letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). Artist: John Graham
Facsimile of a letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). The letter was written upon his arrival at Glasgow, immediately after the fight at Drumclog



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site