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Images Dated 2nd April 2010 (page 14)

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Background imageImages Dated 2nd April 2010: SHAKESPEARE: HENRY V. Once more unto the breach, dear friends, once more

SHAKESPEARE: HENRY V. Once more unto the breach, dear friends, once more
SHAKESPEARE: HENRY V. " Once more unto the breach, dear friends, once more" : King Henry V of England exhorts his troops to attack the city of Harfleur

Background imageImages Dated 2nd April 2010: SHAKESPEARE: CYMBELINE. Imogen, in boys clothes, before the cave of Belarius in the wilds of

SHAKESPEARE: CYMBELINE. Imogen, in boys clothes, before the cave of Belarius in the wilds of Wales, in Act III, Scene VI of William Shakespeares Cymbeline : wood engraving, 1881

Background imageImages Dated 2nd April 2010: BUNYAN: PILGRIMs PROGRESS. Christian & Faithful Pass Through Vanity Fair

BUNYAN: PILGRIMs PROGRESS. Christian & Faithful Pass Through Vanity Fair: wood engraving for a 19th century edition of The Pilgrims Progress, first published in London in 1678

Background imageImages Dated 2nd April 2010: TWO GENTLEMAN OF VERONA. The English actor Henry Compton (1805-77) as Launce

TWO GENTLEMAN OF VERONA. The English actor Henry Compton (1805-77) as Launce, with his dog Crab: steel engraving, English, mid-19th century

Background imageImages Dated 2nd April 2010: IRVING: RIP VAN WINKLE. Rip Van Winkle meets the dwarfs in the Catskill Mountains

IRVING: RIP VAN WINKLE. Rip Van Winkle meets the dwarfs in the Catskill Mountains. Wood engraving, American, 1876, depicting a scene from the Washington Irving story first published in 1819

Background imageImages Dated 2nd April 2010: SHAKESPEARE: HAMLET. Hamlet with his fathers ghost (Act I, Scene V)

SHAKESPEARE: HAMLET. Hamlet with his fathers ghost (Act I, Scene V). Wood engraving after Sir John Gilbert, 1881

Background imageImages Dated 2nd April 2010: SHAKESPEARE: ERRORS. In the market square of Ephesus, Antipholus of Syracuse bids his servant

SHAKESPEARE: ERRORS. In the market square of Ephesus, Antipholus of Syracuse bids his servant Dromio to go to the inn: wood engraving, 19th century

Background imageImages Dated 2nd April 2010: MERRY WIVES OF WINDSOR. The character of Falstaff from William Shakespeares The Merry Wives of

MERRY WIVES OF WINDSOR. The character of Falstaff from William Shakespeares The Merry Wives of Windsor : engraving
MERRY WIVES OF WINDSOR. The character of Falstaff from William Shakespeares " The Merry Wives of Windsor" : engraving, 19th century

Background imageImages Dated 2nd April 2010: THOMAS GRAY: TITLE PAGE. Engraved title page to a mid-19th century American edition of the works

THOMAS GRAY: TITLE PAGE. Engraved title page to a mid-19th century American edition of the works of Thomas Gray (1716-1771)

Background imageImages Dated 2nd April 2010: THOMAS GRAY: ELEGY. Engraved illustration for An Elegy Wrote in a Country Church Yard from a

THOMAS GRAY: ELEGY. Engraved illustration for An Elegy Wrote in a Country Church Yard from a mid-19th century American
THOMAS GRAY: ELEGY. Engraved illustration for " An Elegy Wrote in a Country Church Yard" from a mid-19th century American edition of the works of Thomas Gray (1716-1771)

Background imageImages Dated 2nd April 2010: DON QUIXOTE. Don Quixote with Sancho Panza. Colored engraving after Gustave Dor

DON QUIXOTE. Don Quixote with Sancho Panza. Colored engraving after Gustave Dor

Background imageImages Dated 2nd April 2010: DON QUIXOTE charging full-tilt at a windmill, imagining it to be a giant

DON QUIXOTE charging full-tilt at a windmill, imagining it to be a giant, with disastrous result as Sancho Panza, right, watches. Colored engraving after Gustave Dor

Background imageImages Dated 2nd April 2010: DON QUIXOTE and Sancho Panza. Colored engraving from the Madrid Academy edition of Cervantes Don

DON QUIXOTE and Sancho Panza. Colored engraving from the Madrid Academy edition of Cervantes Don Quixote published in 1780

Background imageImages Dated 2nd April 2010: ROBINSON CRUSOE. By Daniel Defoe. Engraved illustration to a late 18th century English edition

ROBINSON CRUSOE. By Daniel Defoe. Engraved illustration to a late 18th century English edition

Background imageImages Dated 2nd April 2010: THOMAS GRAY: ELEGY. Engraved illustration for An Elegy Wrote in a Country Church Yard from a

THOMAS GRAY: ELEGY. Engraved illustration for An Elegy Wrote in a Country Church Yard from a mid-19th century American
THOMAS GRAY: ELEGY. Engraved illustration for " An Elegy Wrote in a Country Church Yard" from a mid-19th century American edition of the works of Thomas Gray (1716-1771)

Background imageImages Dated 2nd April 2010: DON QUIXOTE and Sancho Panza. Copper engraving from an early 17th century edition of Miguel de

DON QUIXOTE and Sancho Panza. Copper engraving from an early 17th century edition of Miguel de Cervantes Don Quixote

Background imageImages Dated 2nd April 2010: THOMAS GRAY: BOOK ILLUSTRN. An 1819 engraving after Richard Westall for Thomas Grays An Elegy

THOMAS GRAY: BOOK ILLUSTRN. An 1819 engraving after Richard Westall for Thomas Grays An Elegy Wrote in a Country Church
THOMAS GRAY: BOOK ILLUSTRN. An 1819 engraving after Richard Westall for Thomas Grays " An Elegy Wrote in a Country Church Yard."

Background imageImages Dated 2nd April 2010: HAMLET: OPHELIA GONE MAD. Ophelia, gone mad, distributes flowers

HAMLET: OPHELIA GONE MAD. Ophelia, gone mad, distributes flowers: wood engraving after Sir John Gilbert for Act IV, scene 5 of William Shakespeares " Hamlet"

Background imageImages Dated 2nd April 2010: ROMEO & JULIET. The balcony scene (Act III, scene 5) from William Shakespeares Romeo and Juliet

ROMEO & JULIET. The balcony scene (Act III, scene 5) from William Shakespeares Romeo and Juliet : wood engraving
ROMEO & JULIET. The balcony scene (Act III, scene 5) from William Shakespeares " Romeo and Juliet" : wood engraving, English, c1880

Background imageImages Dated 2nd April 2010: SHAKESPEARE: MIDSUMMER Nights Dream. Wood engraving, 19th century

SHAKESPEARE: MIDSUMMER Nights Dream. Wood engraving, 19th century

Background imageImages Dated 2nd April 2010: VERNE: JOURNEY. Wood engraving after a drawing by Edouard Riou from a 19th century edition of A

VERNE: JOURNEY. Wood engraving after a drawing by Edouard Riou from a 19th century edition of A Journey to the Center
VERNE: JOURNEY. Wood engraving after a drawing by Edouard Riou from a 19th century edition of " A Journey to the Center of the Earth, " by Jules Verne

Background imageImages Dated 2nd April 2010: MEASURE FOR MEASURE. Isabella implores Duke Vincentio for justice in Act V

MEASURE FOR MEASURE. Isabella implores Duke Vincentio for justice in Act V, scene 1 of Shakespeares Measure for Measure : wood engraving after Sir John Gilbert from a late nineteenth-century edition

Background imageImages Dated 2nd April 2010: SHAKESPEARE: KING HENRY IV. King Henry IV of England, Prince Hal

SHAKESPEARE: KING HENRY IV. King Henry IV of England, Prince Hal, and Prince John of Lancaster prepare to battle with the rebels in Act V, scene 1 of Shakespeares " King Henry IV

Background imageImages Dated 2nd April 2010: SHAKESPEARE: KING HENRY IV. Act V, scene 2 battle scene from Shakespeares King Henry IV

SHAKESPEARE: KING HENRY IV. Act V, scene 2 battle scene from Shakespeares King Henry IV
SHAKESPEARE: KING HENRY IV. Act V, scene 2 battle scene from Shakespeares " King Henry IV, Part I" : wood engraving after Sir John Gilbert (1817-1879)

Background imageImages Dated 2nd April 2010: MAN READING, 1850. The Politician. Wood engraving, 1850, after Johann Peter Hasenclever (1810-1853)

MAN READING, 1850. The Politician. Wood engraving, 1850, after Johann Peter Hasenclever (1810-1853)

Background imageImages Dated 2nd April 2010: SHAKESPEARE: HAMLET. Act III, Scene 1: wood engraving after Sir John Gilbert (1817-1897)

SHAKESPEARE: HAMLET. Act III, Scene 1: wood engraving after Sir John Gilbert (1817-1897)

Background imageImages Dated 2nd April 2010: SHAKESPEARE: HAMLET. Claudius and Polonius listen to Hamlet soliloquize, Act III, Scene I

SHAKESPEARE: HAMLET. Claudius and Polonius listen to Hamlet soliloquize, Act III, Scene I. Wood engraving after Sir John Gilbert (1817-1897)

Background imageImages Dated 2nd April 2010: VERNE: 20, 000 LEAGUES. Twenty Thousand Leagues under the Sea

VERNE: 20, 000 LEAGUES. Twenty Thousand Leagues under the Sea. Captain Nemo showing Professor Aronnax the engine-room of the Nautilus

Background imageImages Dated 2nd April 2010: SHAKESPEARE: HAMLET. Hamlet in the graveyard holding the skull of Yorick (Act V, Scene I)

SHAKESPEARE: HAMLET. Hamlet in the graveyard holding the skull of Yorick (Act V, Scene I). Wood engraving after Sir John Gilbert from an 1881 edition of Shakespeares plays

Background imageImages Dated 2nd April 2010: VERNE: EARTH TO MOON. From the Earth to the Moon. The Moons disc

VERNE: EARTH TO MOON. From the Earth to the Moon. The Moons disc: wood engraving from a 19th century edition
VERNE: EARTH TO MOON. " From the Earth to the Moon". The Moons disc: wood engraving from a 19th century edition

Background imageImages Dated 2nd April 2010: VERNE: EARTH TO MOON. From the Earth to the Moon. Ideal sketch of J. T. Mastons gun

VERNE: EARTH TO MOON. From the Earth to the Moon. Ideal sketch of J. T. Mastons gun
VERNE: EARTH TO MOON. From the Earth to the Moon. Ideal sketch of J.T. Mastons gun. Wood engraving from a 19th century edition

Background imageImages Dated 2nd April 2010: ROMEO & JULIET. The watchman discovers the bodies of Romeo and Juliet in Act V

ROMEO & JULIET. The watchman discovers the bodies of Romeo and Juliet in Act V, scene 3 of William Shakespeares " Romeo and Juliet" : wood engraving, c1880

Background imageImages Dated 2nd April 2010: HAMLET IN GRAVEYARD. Hamlet in the graveyard contemplating life and death: steel engraving

HAMLET IN GRAVEYARD. Hamlet in the graveyard contemplating life and death: steel engraving, 19th century, from William Shakespeares " Hamlet"

Background imageImages Dated 2nd April 2010: SHAKESPEARE: TEMPEST. Ariels entrance to Prosperos cell in Act I

SHAKESPEARE: TEMPEST. Ariels entrance to Prosperos cell in Act I, scene 2 of William Shakespeares The Tempest
SHAKESPEARE: TEMPEST. Ariels entrance to Prosperos cell in Act I, scene 2 of William Shakespeares " The Tempest, " wood engraving, after Sir John Gilbert (1817-1897)

Background imageImages Dated 2nd April 2010: GRIMM: RAPUNZEL. The Prince climbs up Rapunzels golden hair. Wood engraving after Henry J

GRIMM: RAPUNZEL. The Prince climbs up Rapunzels golden hair. Wood engraving after Henry J. Ford for the fairy tale by Brothers Grimm

Background imageImages Dated 2nd April 2010: DON QUIXOTE AND WINDMILL. Seeing what he imagines are giants

DON QUIXOTE AND WINDMILL. Seeing what he imagines are giants, the Don charges full-tilt at a windmill with disastrous result: wood engraving after Gustave Dor

Background imageImages Dated 2nd April 2010: URANIA PSALMS TITLE PAGE. Engraved title page by Henry Dawkins for the first edition of James

URANIA PSALMS TITLE PAGE. Engraved title page by Henry Dawkins for the first edition of James Lyons Urania
URANIA PSALMS TITLE PAGE. Engraved title page by Henry Dawkins for the first edition of James Lyons " Urania, " Philadelphia, 1761

Background imageImages Dated 2nd April 2010: MACBETH, 19th CENTURY. Macbeth and Banquo encounter the three witches on the heath

MACBETH, 19th CENTURY. Macbeth and Banquo encounter the three witches on the heath: engraving from a 19th century edition of William Shakespeares Macbeth

Background imageImages Dated 2nd April 2010: BEAUTY & THE BEAST, 1891. Beauty finds the Beast sleeping in a cave: wood engraving after H. J

BEAUTY & THE BEAST, 1891. Beauty finds the Beast sleeping in a cave: wood engraving after H. J
BEAUTY & THE BEAST, 1891. Beauty finds the Beast sleeping in a cave: wood engraving after H.J. Ford, 1891, for Beauty and the Beast

Background imageImages Dated 2nd April 2010: ANTONY & CLEOPATRA. Title page of a 19th century edition of William Shakespeares Antony

ANTONY & CLEOPATRA. Title page of a 19th century edition of William Shakespeares Antony and Cleopatra. Wood engraving after Sir John Gilbert (1817-1879)

Background imageImages Dated 2nd April 2010: DICKENS: TWO CITIES. This is that written Paper. Wood engraving from a 19th century American

DICKENS: TWO CITIES. This is that written Paper. Wood engraving from a 19th century American edition of the Charles Dickens novel, " A Tale of Two Cities"

Background imageImages Dated 2nd April 2010: SHAKESPEARE: KING LEAR. King Lear banishes his daughter Cordelia in Act I

SHAKESPEARE: KING LEAR. King Lear banishes his daughter Cordelia in Act I, Scene I of William Shakespeares King Lear. Wood engraving, 1881, after Sir John Gilbert

Background imageImages Dated 2nd April 2010: SHAKESPEARE: HENRY VI. Part II. Eleanor, Duchess of Gloucester looks on as the witches she hired

SHAKESPEARE: HENRY VI. Part II. Eleanor, Duchess of Gloucester looks on as the witches she hired conjure up a spirit (Act I, Scene IV): wood engraving after Sir John Gilbert (1817-1897)

Background imageImages Dated 2nd April 2010: DON QUIXOTE IN HIS LIBRARY. The Don in his study surrounded by the phantoms of his daydreams

DON QUIXOTE IN HIS LIBRARY. The Don in his study surrounded by the phantoms of his daydreams. Wood engraving after Gustave Dor

Background imageImages Dated 2nd April 2010: MERCHANT OF VENICE. Shylock entrusting Jessica with his keys

MERCHANT OF VENICE. Shylock entrusting Jessica with his keys: engraving from a 19th century English edition of Shakespeares " Merchant of Venice" (Act II, Scene 5)

Background imageImages Dated 2nd April 2010: SHAKESPEARE: KING LEAR. King Lear, Kent, the Fool, and Edgar, disguised as a beggar

SHAKESPEARE: KING LEAR. King Lear, Kent, the Fool, and Edgar, disguised as a beggar, in Act III Scene VI of William Shakespeares King Lear. Wood engraving, English, 1881, after Sir John Gilbert

Background imageImages Dated 2nd April 2010: FROG OF CALAVERAS COUNTY. Jim Smiley, Simon Wheeler, and the frog Dan l in the climactic race

FROG OF CALAVERAS COUNTY. Jim Smiley, Simon Wheeler, and the frog Dan l in the climactic race from Mark Twains The Celebrated Jumping Frog of Calaveras County, and Other Sketches, 1867

Background imageImages Dated 2nd April 2010: IRVING: RIP VAN WINKLE. And preferred making friends among the rising generation

IRVING: RIP VAN WINKLE. And preferred making friends among the rising generation, with whom he soon grew into great favor



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