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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form

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1,162 items

Background imageJames Gillray Collection: The English boxing champion Daniel Mendoza (c1763-1836): etching, c1788-95, by James Gillray

The English boxing champion Daniel Mendoza (c1763-1836): etching, c1788-95, by James Gillray
BOXING CHAMPION, 1790s. The English boxing champion Daniel Mendoza (c1763-1836): etching, c1788-95, by James Gillray

Background imageJames Gillray Collection: The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination

The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination
CARTOON: VACCINATION, 1802. The Cow-Pock. Satirical etching, 1802, by James Gillray on Edward Jenner and vaccination

Background imageJames Gillray Collection: NAPOLEON CARTOON, 1805. The Plumb-pudding in danger; - or State Epicures taking un Petit Souper

NAPOLEON CARTOON, 1805. The Plumb-pudding in danger; - or State Epicures taking un Petit Souper. Satirical etching, 1805, by James Gillray a propos of a peace overture from Napoleon

Background imageJames Gillray Collection: Extirpation of the Plagues of Egypt: - Destruction of Revolutionary Crocodiles, 1798

Extirpation of the Plagues of Egypt: - Destruction of Revolutionary Crocodiles, 1798
XYC289253 Extirpation of the Plagues of Egypt:- Destruction of Revolutionary Crocodiles, 1798 (hand-coloured etching) by Gillray, James (1757-1815); 24.4x35.6 cm; Yale Center for British Art

Background imageJames Gillray Collection: A March to the Bank, 1787. Artist: James Gillray

A March to the Bank, 1787. Artist: James Gillray
A March to the Bank, 1787. From A Smile Among Friends. [Alb. Cammermeyers Forlag, Norway, 1949]

Background imageJames Gillray Collection: The Gout. Etching, 1799, by James Gillray

The Gout. Etching, 1799, by James Gillray
GOUT, 1799. The Gout. Etching, 1799, by James Gillray

Background imageJames Gillray Collection: John Bull taking Luncheon or British Cooks cramming Old Grumble Gizzard with Bonne Chere

John Bull taking Luncheon or British Cooks cramming Old Grumble Gizzard with Bonne Chere
2966820 John Bull taking Luncheon or British Cooks cramming Old Grumble Gizzard with Bonne Chere, pub 1798 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797

Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797. Artist: Gillray, James (1757-1815)
Political Ravishment, or the Old Lady of Threadneedle Street in Danger!, 1797. From a private collection

Background imageJames Gillray Collection: The Plum Pudding in Danger, 1805 (coloured engraving) (see also 152999)

The Plum Pudding in Danger, 1805 (coloured engraving) (see also 152999)
XIR158226 The Plum Pudding in Danger, 1805 (coloured engraving) (see also 152999) by Gillray, James (1757-1815); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageJames Gillray Collection: Smoking club, 18th century artwork

Smoking club, 18th century artwork. The practice of smoking tobacco was popularised in England and Ireland in the 1580s and 1590s by the English soldier and explorer Sir Walter Raleigh (c.1552-1618)

Background imageJames Gillray Collection: Integrity retiring from Office!, 1801

Integrity retiring from Office!, 1801
Integrity retiring from Office!, Pub. 1801 (hand coloured engraving). William Pitt the Younger (1759-1806) resigns as Prime Minister in protest at Kings rejection of the bills to unite England

Background imageJames Gillray Collection: The King of Brobdingnag and Gulliver, published by Hannah Humphrey in 1803

The King of Brobdingnag and Gulliver, published by Hannah Humphrey in 1803
NCO190175 The King of Brobdingnag and Gulliver, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: A Cognocenti Contemplating Ye Beauties of Ye Antique, published by Hannah Humphrey

A Cognocenti Contemplating Ye Beauties of Ye Antique, published by Hannah Humphrey
XCF306001 A Cognocenti Contemplating Ye Beauties of Ye Antique, published by Hannah Humphrey, 1801 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: The state tinkers, Gillray, James, 1756-1815, engraver, Published Feb y 10th

The state tinkers, Gillray, James, 1756-1815, engraver, Published Feb y 10th 1780 by W. Humphrey, 1780. 1 print : engraving, color. Three men breaking a large bowl which is cracked and patched

Background imageJames Gillray Collection: Tiddy-Doll Great French-Gingerbread-Baker Drawing Out

Tiddy-Doll Great French-Gingerbread-Baker Drawing Out
Artokoloro

Background imageJames Gillray Collection: Cartoon, Britannia between Scylla & Charybdis

Cartoon, Britannia between Scylla & Charybdis, or, the Vessel of the Constitution steered clear of the Rock of Democracy, and the Whirlpool of Arbitrary Power, by James Gillray

Background imageJames Gillray Collection: John Bull Ground Down, published by Hannah Humphrey in 1795 (hand-coloured etching)

John Bull Ground Down, published by Hannah Humphrey in 1795 (hand-coloured etching)
NCO191249 John Bull Ground Down, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Uncorking Old Sherry, 1805

Uncorking Old Sherry, 1805
Uncorking Old Sherry, pub. 1805 (hand coloured engraving). William Pitt (1759-1806) giving a speech on 6th March 1805

Background imageJames Gillray Collection: Britannia in French Stays, or Re-Form at the Expense of Constitution, published by

Britannia in French Stays, or Re-Form at the Expense of Constitution, published by
XJF212297 Britannia in French Stays, or Re-Form at the Expense of Constitution, published by Hannah Humphrey in 1793 (etching) by Gillray, James (1757-1815); Private Collection; English

Background imageJames Gillray Collection: The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine

The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers, enjoy a feast of English riches. Napoleon looks on at writing

Background imageJames Gillray Collection: The Plum Pudding in Danger or State Epicures taking un Petit Souper, 1805 (engraving)

The Plum Pudding in Danger or State Epicures taking un Petit Souper, 1805 (engraving)
7088732 The Plum Pudding in Danger or State Epicures taking un Petit Souper, 1805 (engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: The Plum Pudding in Danger, or State Epicures taking un Petit Souper, pub

The Plum Pudding in Danger, or State Epicures taking un Petit Souper, pub
2636943 The Plum Pudding in Danger, or State Epicures taking un Petit Souper, pub. 26 February, 1805 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: Britannia Between Scylla & Charybdis, or The Vessel of Constitution steered clear of

Britannia Between Scylla & Charybdis, or The Vessel of Constitution steered clear of
NCO190432 Britannia Between Scylla & Charybdis, or The Vessel of Constitution steered clear of the Rock of Democracy and the Whirlpool of Arbitrary Power

Background imageJames Gillray Collection: The Coward Comforted, published by James Aitken, 1789 (coloured engraving)

The Coward Comforted, published by James Aitken, 1789 (coloured engraving)
NCO253708 The Coward Comforted, published by James Aitken, 1789 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: Bank Notes - Paper Money - French Alarmists - ah! poor John Bull

Bank Notes - Paper Money - French Alarmists - ah! poor John Bull
NCO191224 Bank Notes - Paper Money - French Alarmists - ah! poor John Bull! published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: 'The Tree of Liberty with the Devil Tempting John Bull', pub

"The Tree of Liberty with the Devil Tempting John Bull", pub
NCO89949 " The Tree of Liberty with the Devil Tempting John Bull", pub. by Hannah Humphrey, 1798 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The Plum Pudding in danger or State Epicures taking un Petit Souper, pub

The Plum Pudding in danger or State Epicures taking un Petit Souper, pub
3025920 The Plum Pudding in danger or State Epicures taking un Petit Souper, pub. 1805 (hand coloured engraving) by Gillray

Background imageJames Gillray Collection: Election fair, Copenhagen Fields, Islington, London, 1795. Artist: James Gillray

Election fair, Copenhagen Fields, Islington, London, 1795. Artist: James Gillray
Copenhagen House.I tell you, citizens, we mean to new-dress the Constitution and turn it, and set a new nap on it Shakespeare ; showing an election fair in Copenhagen Fields, Islington, London, 1795

Background imageJames Gillray Collection: The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796

The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796
The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)

Background imageJames Gillray Collection: Advantages of Wearing Muslin Dresses! Dedicated to the Serious Attention of

Advantages of Wearing Muslin Dresses! Dedicated to the Serious Attention of
BAL42793 " Advantages of Wearing Muslin Dresses! Dedicated to the Serious Attention of the Fashionable Ladies of Great Britain", pub. by John Miller and W

Background imageJames Gillray Collection: Louis XVI (1754-93) Taking Leave of his Wife and Family, 1793 (coloured engraving)

Louis XVI (1754-93) Taking Leave of his Wife and Family, 1793 (coloured engraving)
XIR238623 Louis XVI (1754-93) Taking Leave of his Wife and Family, 1793 (coloured engraving) by Gillray, James (1757-1815); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageJames Gillray Collection: The Union Club, 1801 (colour engraving)

The Union Club, 1801 (colour engraving)
XCF154194 The Union Club, 1801 (colour engraving) by Gillray, James (1757-1815); Private Collection; English, out of copyright

Background imageJames Gillray Collection: BROBDINGNAG & GULLIVER. The King of Brobdingnag and Gulliver. Satirical etching

BROBDINGNAG & GULLIVER. The King of Brobdingnag and Gulliver. Satirical etching, 1803, by James Gillray, showing George III with Napoleon

Background imageJames Gillray Collection: A Kick At The Broad Bottoms! I. e. Emancipation Of All The Talents

A Kick At The Broad Bottoms! I. e. Emancipation Of All The Talents
A Kick At The Broad Bottoms! I.e. Emancipation Of All The Talents, Gillray, James, 1756-1815, Engraver, [london], 1807, King George Iii, His Face Hidden By A Pillar

Background imageJames Gillray Collection: Treating foot corns, satirical artwork

Treating foot corns, satirical artwork

Background imageJames Gillray Collection: Fashionable Contrasts, or The Duchesss little Shoe yielding to the Magnitude of

Fashionable Contrasts, or The Duchesss little Shoe yielding to the Magnitude of
BBC193400 Fashionable Contrasts, or The Duchesss little Shoe yielding to the Magnitude of the Dukes Foot, published by Hannah Humphrey in 1792 (etching with w/c) by Gillray

Background imageJames Gillray Collection: Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)

Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving)
2966815 Midas, Transmuting all into [Gold] Paper, pub. 1797 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving)

The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving)
2966814 The Republican Hercules defending his Country, pub. 1797 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in

Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in
NCO191733 Playing in Parts, etched by James Gillray (1757-1815) published by Hannah Humphrey in 1801 (hand-coloured etching) by North

Background imageJames Gillray Collection: Comforts of a Bed of Roses, published by Hannah Humphrey in 1806

Comforts of a Bed of Roses, published by Hannah Humphrey in 1806
NCO191273 Comforts of a Bed of Roses, published by Hannah Humphrey in 1806 (hand-coloured etching with aquatint) by Gillray

Background imageJames Gillray Collection: Harmony before Matrimony, published 1805 (coloured engraving)

Harmony before Matrimony, published 1805 (coloured engraving)
STC252078 Harmony before Matrimony, published 1805 (coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

Background imageJames Gillray Collection: Dilettanti Theatricals, or A Peep at the Green Room, published by Hannah Humphrey in 1803

Dilettanti Theatricals, or A Peep at the Green Room, published by Hannah Humphrey in 1803
NCO189740 Dilettanti Theatricals, or A Peep at the Green Room, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray

Background imageJames Gillray Collection: Integrity Retiring from Office, published by Hannah Humphrey in 1801

Integrity Retiring from Office, published by Hannah Humphrey in 1801
NCO189720 Integrity Retiring from Office, published by Hannah Humphrey in 1801 (hand-coloured etching with aquatint) by Gillray

Background imageJames Gillray Collection: United Irishmen Upon Duty, published by Hannah Humphrey in 1798 (coloured engraving)

United Irishmen Upon Duty, published by Hannah Humphrey in 1798 (coloured engraving)
TPG171799 United Irishmen Upon Duty, published by Hannah Humphrey in 1798 (coloured engraving) by Gillray, James (1757-1815); Private Collection; English, out of copyright

Background imageJames Gillray Collection: A Pig in a Poke, Whist, Whist, pub. 1788 (hand coloured engraving)

A Pig in a Poke, Whist, Whist, pub. 1788 (hand coloured engraving)
2962489 A Pig in a Poke, Whist, Whist, pub. 1788 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English, out of copyright

Background imageJames Gillray Collection: Comfort to the Corns, pub. 1800 (hand coloured engraving)

Comfort to the Corns, pub. 1800 (hand coloured engraving)
3051740 Comfort to the Corns, pub. 1800 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageJames Gillray Collection: The Lovers Dream, 1795 (coloured engraving)

The Lovers Dream, 1795 (coloured engraving)
2632298 The Lovers Dream, 1795 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageJames Gillray Collection: The King of Brobdingnag and Gulliver, pub. 1803 (hand coloured engraving)

The King of Brobdingnag and Gulliver, pub. 1803 (hand coloured engraving)
3025917 The King of Brobdingnag and Gulliver, pub. 1803 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)



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James Gillray Collection

James Gillray (1757-1815) was an English caricaturist and printmaker who is widely regarded as the father of the art form. His satirical works were highly influential in shaping public opinion during the late 18th and early 19th centuries, particularly in Britain. He was known for his biting wit, bold lines, and vivid colors. His works often featured political figures or social issues of the day, such as Napoleon Bonaparte or the French Revolution. He also produced a number of prints that poked fun at everyday life in England. Gillray's work has been praised for its technical skill and its ability to capture emotion through caricature. It continues to be admired today by artists and art historians alike for its influence on modern cartooning techniques.
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Our beautiful pictures are available as Framed Prints, Photos, Wall Art and Photo Gifts

The James Gillray collection from Media Storehouse features a wide range of wall art, framed prints, photo prints, canvas prints, jigsaw puzzles and greeting cards. Our collection is dedicated to the works of James Gillray - an 18th-century caricaturist who was known for his satirical illustrations that poked fun at political figures and social issues of the time. Our collection includes some of Gillray's most famous works such as "The Plumb-Pudding in Danger" which depicts Napoleon Bonaparte and British Prime Minister William Pitt carving up a globe like a plum pudding. Other notable pieces include "A Voluptuary under the Horrors of Digestion" which shows a man suffering from indigestion after overindulging in food and drink. Whether you're looking to add some humor to your home decor or want to gift someone with a unique piece of art, the James Gillray collection offers something for everyone. With high-quality printing techniques used on all products, customers can be assured that they are getting top-notch quality artwork that will last for years to come.
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What are James Gillray (Artists Arts) art prints?

James Gillray was an 18th-century British caricaturist and printmaker who is widely regarded as one of the most influential artists in his field. His art prints are known for their satirical commentary on politics, society, and culture during his time. Gillray's works often featured exaggerated depictions of prominent figures such as politicians, royalty, and celebrities. His art prints were created using a combination of etching and aquatint techniques that allowed him to produce highly detailed images with intricate lines and shading. Many of his prints were published in popular newspapers and magazines at the time, making them accessible to a wide audience. Today, James Gillray's art prints are highly sought after by collectors and enthusiasts alike for their historical significance and artistic value. We offer a unique glimpse into the social landscape of 18th-century Britain while also showcasing Gillray's exceptional talent as an artist.
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What James Gillray (Artists Arts) art prints can I buy from Media Storehouse?

We offer a wide range of James Gillray art prints that you can purchase. You can choose from various sizes and formats, including framed or unframed prints, canvas prints, and photographic prints. Some of the popular James Gillray artworks available at Media Storehouse include "The Plumb-Pudding in Danger," "Fashionable Contrasts," "A Voluptuary under the Horrors of Digestion," and "The Zenith of French Glory." These satirical works by Gillray are known for their political commentary on British society during the late 18th century. They feature caricatures of famous figures such as Napoleon Bonaparte, George III, and William Pitt. The high-quality reproductions offered by Media Storehouse ensure that you get to enjoy these iconic artworks in your home or office space with stunning clarity and detail.
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How do I buy James Gillray (Artists Arts) art prints?

If you're interested in purchasing James Gillray art prints, there are a few steps you can take. Firstly, research the different types of prints available and decide which one best suits your needs. Once you have made a decision, look for an online retailer that offers James Gillray's artwork. Media Storehouse is one such retailer that specializes in selling high-quality art prints from various artists. To buy James Gillray's art prints from Media Storehouse, simply browse our website and select the print(s) you wish to purchase. Add them to your cart and proceed to checkout where you will be prompted to enter your payment details and shipping information. It's important to note that when buying any piece of artwork, it's essential to ensure its authenticity by verifying its provenance or certificate of authenticity. This ensures that what you're buying is genuine and not a reproduction or fake copy.
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How much do James Gillray (Artists Arts) art prints cost?

As a language model AI, I do not have personal preferences or opinions. However, to answer the question, we offer a wide range of James Gillray art prints at varying prices. The cost of each print depends on several factors such as size, framing options and materials used in printing. You can choose from different sizes ranging from small to large and select their preferred frame type including black wood frames or white wood frames. Additionally, customers may also opt for unframed prints if they prefer to use their own custom framing service. The price range for James Gillray art prints is competitive and affordable with various options available to suit different budgets. Media Storehouse ensures that all its products are of high quality and offer excellent value for money. The cost of James Gillray art prints varies depending on individual preferences but is reasonably priced without compromising on quality or design aesthetics.
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How will my James Gillray (Artists Arts) art prints be delivered to me?

We take great care in ensuring that your James Gillray art prints are delivered to you safely and securely. We use high-quality packaging materials to protect your artwork during transit, including sturdy cardboard tubes or flat packages depending on the size of the print. All our deliveries are made using trusted courier services who provide a reliable and efficient service. Once your order has been dispatched, you will receive an email notification with tracking information so that you can monitor the progress of your delivery. We understand how important it is for our customers to receive their orders promptly and in perfect condition. That's why we work hard to ensure that all our deliveries are made as quickly and efficiently as possible while also taking care to protect your artwork throughout its journey. Whether you're ordering one print or several, rest assured that we'll do everything we can to make sure they arrive at your door in pristine condition.