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Paintings, France in Europe

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BATTLE OF AGINCOURT, 1415. Battle between the French and English at Agincourt, France, 1415, with archers in the front and cavalry massed behind them. French manuscript illumination, early 15th century Featured Paintings Print

BATTLE OF AGINCOURT, 1415. Battle between the French and English at Agincourt, France, 1415, with archers in the front and cavalry massed behind them. French manuscript illumination, early 15th century

BATTLE OF AGINCOURT, 1415.
Battle between the French and English at Agincourt, France, 1415, with archers in the front and cavalry massed behind them. French manuscript illumination, early 15th century

© none

100 Years War, 1415, Agincourt, Aod, Archer, Army, Arrow, Attack, Battle, Battle Field, Bow, Cavalry, Early, Encbr, English, Equestrian, Exterior, Faa, Fine Art, Flk, France, French, Horse, Horseman, Manuscript Illumination, Medieval, Men, Painting, Rider, Soldier, Transportati, Troop, Warfare

Reception of Jacques de Molay. 1840s; Reception Featured Paintings Print

Reception of Jacques de Molay. 1840s; Reception

Reception of Jacques de Molay. 1840s; Reception of Jacques de Molay. 1840s. Work by GRANET, Fran篩s Marius (1775-1849); GRANET, Fran篩s Marius (1775-1849). Oil on canvas. FRANCE. Avignon. Mus饠Calvet (Calvet Museum)

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10684919

1840s, Avignon, Calvet, De, Fran X7be9, France, Granet, Group, Habit, Jacques, Marius, Molay, Mus, Museum, Oil, Oils, Painting, Paintings, Picture, Pictures, Reception, Scene, Swearing, Work

Green Waters, Henry Scott Tuke (1858-1929) Featured Paintings Print

Green Waters, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, late 19th / early 20th century. A man sculling in a small boat. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered

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