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EyeUbiquitous_20105582

EyeUbiquitous_20105582


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EyeUbiquitous

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EyeUbiquitous_20105582

Namibia, Namib Desert, Pomona, An abandoned mine workers house in the diamond region of the southern restricted Diamond region

Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments

Media ID 20083220

© Adrian Arbib / Eye Ubiquitous

19th Century Abandoned Africa African Atlantic Bush Coast Colonial Desert Diamond House Namibia Namibian Plant Sand Town Tree De Beers Ghost Mine Namib Skeleton Coast


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> Africa > Namibia > Related Images

> Architecture > Country > Africa

> Architecture > Styles > Colonial Architecture

> EyeUbiquitous > Architecture


EDITORS COMMENTS
This print by Adrian Arbib captures the haunting beauty of an abandoned mine worker's house in Namibia's diamond region. Located in the southern restricted Diamond region, this 19th-century colonial relic stands as a testament to the rich history and struggles of the area. Surrounded by vast stretches of sand dunes and nestled against a backdrop of endless desert, this ghost town house exudes an eerie charm. The harsh climate has weathered its architecture over time, creating a sense of mystery and nostalgia that lingers in the air. The presence of a lone plant or tree amidst the barren landscape adds a touch of life to this otherwise desolate scene. It serves as a reminder that even in such unforgiving conditions, nature finds a way to thrive. As we gaze upon this photograph, our minds are transported back to an era when diamond mining was at its peak along Namibia's Skeleton Coast. De Beers, one of the prominent names associated with diamond mining worldwide, left its mark on this region through both prosperity and hardship. Adrian Arbib skillfully captures not only the physical remnants but also evokes emotions tied to human experiences within these walls. This image invites us to reflect on forgotten lives lived here and contemplate how time can transform once-thriving communities into mere echoes from another era. In essence, Arbib's photograph encapsulates both beauty and melancholy—a visual ode to history lost among shifting sands.

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