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Abraham and the Three Angels, c. 1750 (pen and brown ink over black chalk with red wash)

Abraham and the Three Angels, c. 1750 (pen and brown ink over black chalk with red wash)


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Abraham and the Three Angels, c. 1750 (pen and brown ink over black chalk with red wash)

3432800 Abraham and the Three Angels, c.1750 (pen and brown ink over black chalk with red wash) by Fontebasso, Francesco (1709-69); 46.04x33.02 cm; Los Angeles County Museum of Art, CA, USA; (add.info.: Genesis chapter 18: Abraham, is told that his aged wife, Sarah, will soon conceive a son.
" And the Lord appeared to [Abraham] by the oaks of Mamre as he sat at the door of his tent in the heat of the day. He lifted up his eyes and looked, and behold, three men stood in front of him. When he saw them, he ran from the tent door to meet them, and bowed himself to the earth, and said, My lord, if I have found favor in your sight, do not pass by your servant. " ); Italian, out of copyright

Media ID 18260827

© Los Angeles County Museum of Art, CA, USA / Bridgeman Images

Abraham Abram Genesis Hebrew Miracle Miraculous Old Man Prophesy Rococo Visitation Messangers


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EDITORS COMMENTS
This print captures the essence of Francesco Fontebasso's masterpiece, "Abraham and the Three Angels". Created around 1750, this artwork showcases Fontebasso's exceptional talent in pen and brown ink over black chalk with a touch of red wash. Housed at the Los Angeles County Museum of Art, CA, USA, this piece transports viewers to a pivotal moment in Genesis chapter 18. The scene depicts Abraham being visited by three angels near the oaks of Mamre on a scorching day. As he sits at his tent door, Abraham lifts his eyes to witness these divine messengers standing before him. Overwhelmed with reverence and hospitality, he hurries towards them and bows down respectfully. This religious painting beautifully portrays the biblical account where God reveals that Sarah will conceive a son despite her old age. The artist skillfully captures the emotions felt by Abraham as he encounters these celestial beings who bring news of such miraculous proportions. Fontebasso's work seamlessly blends elements from both Baroque and Rococo styles while reflecting his Venetian roots. This composition not only appeals to Christian audiences but also holds significance for those following Judaism or interested in Old Testament narratives. Through this photo print, we can appreciate how art has been used throughout history to convey profound religious stories and inspire spiritual contemplation. It serves as a testament to Fontebasso's artistic prowess and continues to captivate viewers with its timeless message of faith and prophecy.

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Related Images


L accession au trone de Catherine II de Russie (nee Sophie Augusta Fredericka d Anhalt Zerbst, 1729-1796) (The Accession to the Throne of Catherine II). Peinture de Francesco Fontebassso (1709-1769), huile sur toile, 1762
L accession au trone de Catherine II de Russie (nee Sophie Augusta Fredericka d Anhalt Zerbst, 1729-1796) (The Accession to the Throne of Catherine II). Peinture de Francesco Fontebassso (1709-1769), huile sur toile, 1762

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