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The descent of Christ into Limbo, from The Great Passion series, 1510
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The descent of Christ into Limbo, from The Great Passion series, 1510
XIR266937 The descent of Christ into Limbo, from The Great Passion series, 1510 (woodcut) (b/w photo) by DAOErer or Duerer, Albrecht (1471-1528); 39.6x28.4 cm; Bibliotheque Nationale, Paris, France; (add.info.: Descente de Jesus Christ aux Limbes; Grande Passion; ); German, out of copyright
Media ID 12781309
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Arrow Demon Demons Devil Devils Hell Helping Monogram Monsters Phot Purgatory Sinner Sinners Soul Souls Xylograph Monster Northern Renaissance
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This print showcases Albrecht Dürer's masterpiece, "The descent of Christ into Limbo" which is part of his renowned Great Passion series from 1510. Measuring 39.6x28.4 cm, this woodcut captures the essence of a pivotal moment in Christian theology. Intriguingly, the image depicts Jesus Christ descending into Limbo, a realm believed to be inhabited by souls awaiting redemption before His crucifixion and resurrection. Surrounding Him are hellish demons and monstrous creatures that symbolize sinners trapped in purgatory. Notably, Adam can be seen holding a cross while Eve stands nearby, signifying their role in humanity's fall from grace and ultimate salvation through Christ's sacrifice. The engraving technique used by Dürer beautifully highlights intricate details such as arrows piercing the air and an ornate monogram representing the artist himself. As a prominent figure of the Northern Renaissance movement, Dürer masterfully captures both the spiritual significance and artistic beauty within this composition. This photograph taken at Bibliotheque Nationale in Paris allows viewers to appreciate every delicate line and shading technique employed by Dürer over five centuries ago. Through this remarkable artwork, we witness not only Dürer's exceptional talent but also gain insight into religious beliefs during his time. It serves as a timeless reminder of faith, redemption, and hope for all who encounter it today or explore its historical context further on www. bridgeman
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