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View of Utiri village, Tanzania, 1890 (wood engraving)

View of Utiri village, Tanzania, 1890 (wood engraving)


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View of Utiri village, Tanzania, 1890 (wood engraving)

KW441399 View of Utiri village, Tanzania, 1890 (wood engraving) by Forestier, Amedee (1854-1930); Private Collection; (add.info.: Emin Pasha Relief Expedition, Africa, 1886-89; Illustration from In Darkest Africa by Sir Henry Morton Stanley, published 1890; ); Ken Welsh; English, out of copyright

Media ID 12882309

© www.bridgemanimages.com

Anthropological Anthropology British Empire Darkest Emin Pasha Ethnographic Expedition Henry Morton Stanley Huts Jungle Tanzania Tanzanian Daily Life Scene Ethnography Natives


FEATURES IN THESE COLLECTIONS

> Africa > Tanzania > Related Images

> Arts > Artists > F > Amedee Forestier

> Arts > Artists > S > Henry Morton Stanley

> Arts > Landscape paintings > Forest and woodland scenes > Forest artwork

> Arts > Still life artwork > Still life art > Still life paintings

> Arts > Still life artwork > Still life art

> Arts > Still life artwork

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Still life paintings

> Arts > Street art graffiti > Still life > Still life artwork

> Fine Art Finder > Artists > Amedee Forestier


EDITORS COMMENTS
This wood engraving, titled "View of Utiri village, Tanzania, 1890" takes us back in time to the heart of Africa during the era of colonial exploration. Created by Amedee Forestier (1854-1930), this print offers a glimpse into the daily life scene of Utiri village. The image is part of Sir Henry Morton Stanley's renowned book "In Darkest Africa" published in 1890. It was featured as an illustration for the Emin Pasha Relief Expedition that took place between 1886 and 1889. The expedition aimed to rescue Emin Pasha, a governor in Equatoria who was cut off from civilization due to political unrest. The wood engraving showcases a cluster of traditional huts nestled amidst lush forests and dense jungle foliage. The intricate details invite us to explore the ethnographic aspects captured within this anthropological piece. We witness Tanzanian natives going about their lives against the backdrop of British colonialism and exploration. This historical artifact serves as a reminder not only of our past but also highlights the complexities surrounding imperialism and its impact on indigenous cultures. It invites contemplation on themes such as cultural exchange, identity preservation, and societal transformation. As we admire this evocative print from our private collection today, it allows us to reflect upon how far we have come since those times while acknowledging the importance of understanding history through art.

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