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The Wickedest Man in New York, scene from John Allans Dance House
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The Wickedest Man in New York, scene from John Allans Dance House
AQS254893 The Wickedest Man in New York, scene from John Allans Dance House, 304 Water Street, New York City, from Frank Leslies Illustrated Newspaper, 1868 (litho) by Leslie, Frank (1821-80); American Antiquarian Society, Worcester, Massachusetts, USA; eCourtesy, American Antiquarian Society; American, out of copyright
Media ID 23709826
© Courtesy, American Antiquarian Society / Bridgeman Images
Bawdy Club Hall Lifting Lower Manhattan Sordid Twirling Whirling
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The Wickedest Man in New York - A Glimpse into John Allan's Dance House
EDITORS COMMENTS
. This black and white lithograph, captured by Frank Leslie in 1868, takes us back to the vibrant streets of Lower Manhattan. The scene unfolds within the walls of John Allan's Dance House on Water Street, a notorious establishment known for its scandalous reputation. In this snapshot of New York City's nightlife, we witness an energetic dance floor filled with twirling couples. Amidst the dimly lit hall, a female dancer steals the spotlight as she gracefully whirls and carries herself across the room. Her movements exude both sensuality and power, capturing the essence of this sordid yet alluring environment. The male partner lifting her effortlessly adds to the dynamic atmosphere of this bawdy club. Their chemistry is palpable as they become one with the rhythm pulsating through their bodies. It is evident that these dancers are masters of their craft, commanding attention from all who lay eyes upon them. Frank Leslie's engraving transports us back to a time when dance halls like John Allan's were at the heart of New York City's social scene. This image serves as a window into an era where boundaries were pushed and societal norms challenged. As we gaze upon this historic print from Bridgeman Images' collection, we can't help but be captivated by its raw energy and unapologetic spirit. It reminds us that even in times long past, there were always those
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