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Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children
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Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children
BEN78459 Marchese Ludovico Gonzaga III, his wife Barbara of Brandenburg, their children, courtiers and their dog Rubino, from the Camera degli Sposi or Camera Picta, 1465-74 (fresco) by Mantegna, Andrea (1431-1506); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; (add.info.: Room of the Bride and Groom; ); Photo eRaffaello Bencini; Italian, out of copyright
Media ID 22683350
© Raffaello Bencini / Bridgeman Images
Doublet Dwarf Family Portrait Messenger Parti Coloured Hose Trompe L Oeil Trompe Loeil
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EDITORS COMMENTS
This print captures the essence of a noble family in Renaissance Italy. Marchese Ludovico Gonzaga III, his elegant wife Barbara of Brandenburg, and their children are portrayed alongside courtiers and their loyal dog Rubino. The scene is set within the exquisite Camera degli Sposi or Camera Picta, a room known as the Room of the Bride and Groom. Painted by Andrea Mantegna between 1465-1474, this fresco showcases his mastery in capturing intricate details with remarkable precision. The composition is rich with symbolism and tells a story of wealth, power, and familial love. The Marchese stands tall in his doublet while Barbara radiates grace in her elaborate attire. Their children playfully interact with each other, reflecting both innocence and aristocratic upbringing. Courtiers surround them, adding an air of sophistication to the scene. One cannot help but notice the presence of a dwarf among them—a common feature in Renaissance portraits that symbolized curiosity and exoticism. This inclusion highlights both social conventions at that time and Mantegna's attention to detail. The use of trompe l'oeil technique further enhances this masterpiece; it creates an illusionary three-dimensional effect on flat surfaces. As we gaze upon this extraordinary painting through Raffaello Bencini's lens, we are transported back to a glorious era where artistry flourished within Italian palaces like Palazzo Ducale & Museo in Mantua. This print serves as a
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