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The Red Roofs, or Corner of a Village, Winter, 1877 (oil on canvas)

The Red Roofs, or Corner of a Village, Winter, 1877 (oil on canvas)


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The Red Roofs, or Corner of a Village, Winter, 1877 (oil on canvas)

XIR30235 The Red Roofs, or Corner of a Village, Winter, 1877 (oil on canvas) by Pissarro, Camille (1830-1903); 54.5x65.5 cm; Musee d Orsay, Paris, France; (add.info.: Les Toits Rouges, coin de village, effet d hiver; ); French, out of copyright

Media ID 12831835

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Roof Rural Scene


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> Arts > Art Movements > Impressionism

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> Arts > Artists > Camille Pissarro > Rural landscapes

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> Arts > Impressionist paintings > Impressionist art > Camille Pissarro

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> Arts > Impressionist paintings

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The Red Roofs, or Corner of a Village, Winter, 1877

EDITORS COMMENTS
is a captivating oil painting by Camille Pissarro that beautifully captures the essence of rural life in the late 19th century. In this masterpiece, Pissarro skillfully portrays a snowy winter scene with vibrant red roofs dotting the landscape. The viewer is immediately drawn into the tranquil village setting as they gaze upon the delicate brushstrokes and subtle play of light and shadow. The artist's mastery of impressionism shines through as he expertly captures the fleeting beauty of nature during wintertime. As one examines this artwork closely, they can almost feel the crispness in the air and hear the soft crunching sound beneath their feet. Pissarro's attention to detail is evident in every stroke, from each individual rooftop to the wisps of smoke rising from chimneys. This painting not only showcases Pissarro's technical prowess but also his ability to evoke emotion through his art. The peacefulness and serenity conveyed by "The Red Roofs" invite viewers to escape into this idyllic winter wonderland. Displayed at Musee d'Orsay in Paris, France, this timeless piece continues to captivate audiences with its charm and beauty. It serves as a reminder that even amidst harsh winters, there is always warmth and tranquility found within small villages like these.

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