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The Triumph of the Eucharist over Ignorance and Blindness Ecclesia Per S
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The Triumph of the Eucharist over Ignorance and Blindness Ecclesia Per S
936981 The Triumph of the Eucharist over Ignorance and Blindness Ecclesia Per S. Eucharistiam Triumphans, c.1625-26 (oil on panel) by Rubens, Peter Paul (1577-1640); 16.2x24.4 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Sketch for the Eucharist series of designs.); eFitzwilliam Museum; Flemish, out of copyright
Media ID 22496776
© Fitzwilliam Museum / Bridgeman Images
Blindness Chariot Columns Eucharist Flemish Frame Golden Ignorance Neoclassical Personification Studies Triumph Triumphant Trompe L Oeil Trompe Loeil Allegorical Ecclesia
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EDITORS COMMENTS
This print captures Peter Paul Rubens' masterpiece, "The Triumph of the Eucharist over Ignorance and Blindness Ecclesia Per S". The painting, created in 1625-26, showcases Rubens' exceptional talent and his ability to convey profound religious symbolism. Measuring 16.2x24.4 cm, this sketch served as a preliminary study for Rubens' larger series of designs centered around the Eucharist. The image depicts a triumphant chariot representing the Catholic Church (Ecclesia) adorned with ornate columns and golden details that exude neoclassical elegance. Atop the chariot stands an allegorical figure personifying Christianity's victory over ignorance and blindness. This powerful representation is accentuated by majestic horses pulling the chariot forward towards triumph. Rubens masterfully incorporates trompe l'oeil techniques into this painting, creating an illusionary effect that blurs the lines between reality and artistry. The intricate decorative border adds to its overall grandeur. Displayed at Fitzwilliam Museum, University of Cambridge in the UK, this artwork exemplifies Flemish Baroque style with its rich colors and meticulous attention to detail. It serves as a testament to Ruben's immense skill in capturing complex religious themes through his brushstrokes. As you gaze upon this photo print, let yourself be transported back in time to witness not only a remarkable piece of art but also an embodiment of faith and triumph over adversity within Christian theology.
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