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No. 3 Parisian Square, 1931 (oil on board)
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No. 3 Parisian Square, 1931 (oil on board)
657434 No.3 Parisian Square, 1931 (oil on board) by Kay, James (1858-1942); Private Collection; (add.info.: No.3 Parisian Square. James Kay (1858-1942). Oil on board. Dated 1931. 25 x 30in); Photo eChristies Images; Scottish, out of copyright
Media ID 23304906
© Christie's Images / Bridgeman Images
022012upload 1931 Accessories Activity American Artist Artist American Background People Busy Bystander Capital City City Life Ile De France Impressionist Art Impressionistic Incopyright Landmark Large Group Livelihood Modern Traditional British Natural Light Neighbourhood Oil On Board Parasol Personal Accessory Routine Scottish Artist Scottish Artists Shape Shaped Square Streetscene Sunny Town Square Umbrella Ways White Color Wintry Working Life Accessory Artist British British Artist James Kay Occupation
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No. 3 Parisian Square, 1931
EDITORS COMMENTS
is a captivating oil painting by James Kay that offers a glimpse into the bustling city life of early twentieth-century Paris. The artist skillfully captures the essence of this vibrant capital city through his impressionistic style and masterful use of natural light. In this particular scene, we are transported to a busy town square teeming with activity. A large group of people fills the frame, going about their daily routines against the backdrop of beautiful buildings and landmarks. Women can be seen working and going about their livelihoods, adding a sense of movement and energy to the composition. Kay's attention to detail is evident in every brushstroke, as he expertly shapes each figure and structure with precision. The overall impressionist aesthetic adds an air of modernity to this traditional British artist's work. The painting exudes warmth despite its wintry setting, thanks to the soft sunlight that bathes the scene. This play between light and shadow creates depth and dimension within the artwork. "No. 3 Parisian Square, 1931" invites viewers to step back in time and immerse themselves in the lively atmosphere of early twentieth-century Paris. It serves as a testament to Kay's talent as well as his ability to capture not just physical landscapes but also human experiences within them.
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