Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Claude Lorrain (1600-82)

Claude Lorrain (1600-82) Collection (page 3)

279 items

Background imageClaude Lorrain (1600-82) Collection: Landscape with Moses Saved from the River Nile

Landscape with Moses Saved from the River Nile
BOO73463 Landscape with Moses Saved from the River Nile by Allegrain, Etienne (1644-1736); 88x114.8 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Morning (Landscape with Jacob, Rachel and Leah by the Well), 1666

Morning (Landscape with Jacob, Rachel and Leah by the Well), 1666
BOO73461 Morning (Landscape with Jacob, Rachel and Leah by the Well), 1666 by Claude Lorrain (Claude Gellee) (1600-82); 113x157 cm; State Hermitage Museum, St

Background imageClaude Lorrain (1600-82) Collection: Portrait of Violante, daughter of Palma Vecchio, 1530-35 (oil on canvas)

Portrait of Violante, daughter of Palma Vecchio, 1530-35 (oil on canvas)
RPH92365 Portrait of Violante, daughter of Palma Vecchio, 1530-35 (oil on canvas) by Bordone, Paris (1500-71); 130x90 cm; Private Collection; eRichard Philp, London; Italian, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Journey to Emmaus (black chalk & gouache on paper)

Journey to Emmaus (black chalk & gouache on paper)
AGN95219 Journey to Emmaus (black chalk & gouache on paper) by Claude Lorrain (Claude Gellee) (1600-82); 17.2x22.6 cm; Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: St. Philip Baptising the Eunuch, 1677 (ink & wash on paper)

St. Philip Baptising the Eunuch, 1677 (ink & wash on paper)
AGN95212 St. Philip Baptising the Eunuch, 1677 (ink & wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 20.5x29.2 cm; Private Collection; (add.info.: Private Collection)

Background imageClaude Lorrain (1600-82) Collection: Sigmund Freud (1856-1939) at the age of eight with his father Jakob

Sigmund Freud (1856-1939) at the age of eight with his father Jakob
CHT224835 Sigmund Freud (1856-1939) at the age of eight with his father Jakob, from Pictorial History of Psychology and Psychiatry by A. Roback and Th

Background imageClaude Lorrain (1600-82) Collection: The Rest on the Flight into Egypt (oil on canvas)

The Rest on the Flight into Egypt (oil on canvas)
BOO226892 The Rest on the Flight into Egypt (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 113x157 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Thenot Remonstrates with Colinet, illustration from Dr. Thorntons

Thenot Remonstrates with Colinet, illustration from Dr. Thorntons
SOU273293 Thenot Remonstrates with Colinet, illustration from Dr. Thorntons The Pastorals of Virgil (woodcut) by Blake, William (1757-1827); Southampton City Art Gallery, Hampshire

Background imageClaude Lorrain (1600-82) Collection: A Study for a landscape (pen and bistre and wash on paper)

A Study for a landscape (pen and bistre and wash on paper)
XCF273189 A Study for a landscape (pen and bistre and wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); British Museum, London, UK; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Nathan Admonishing David, c. 1652-53 (pen & brown ink on paper)

Nathan Admonishing David, c. 1652-53 (pen & brown ink on paper)
CLK339984 Nathan Admonishing David, c.1652-53 (pen & brown ink on paper) by Rembrandt Harmensz. van Rijn (1606-69); 12.6x14.9 cm; Sterling and Francine Clark Art Institute, Williamstown

Background imageClaude Lorrain (1600-82) Collection: Rest on the Flight into Egypt, 1646 (oil on panel)

Rest on the Flight into Egypt, 1646 (oil on panel)
CLK339973 Rest on the Flight into Egypt, 1646 (oil on panel) by Claude Lorrain (Claude Gellee) (1600-82); 32.2x38 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageClaude Lorrain (1600-82) Collection: Bacchanal, 1719 (oil on canvas)

Bacchanal, 1719 (oil on canvas)
SCP38808 Bacchanal, 1719 (oil on canvas) by Houasse, Michel-Ange (1680-1730); 125x180 cm; Prado, Madrid, Spain; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Embarkation of St. Paula Romana at Ostia, 1637-39 (oil on canvas)

Embarkation of St. Paula Romana at Ostia, 1637-39 (oil on canvas)
SCP38803 Embarkation of St. Paula Romana at Ostia, 1637-39 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 211x145 cm; Prado, Madrid, Spain; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Polycrates and the Fisherman, c. 1664 (oil on canvas)

Polycrates and the Fisherman, c. 1664 (oil on canvas)
2970551 Polycrates and the Fisherman, c.1664 (oil on canvas) by Rosa, Salvator (1615-73); 73x98.6 cm; The Art Institute of Chicago, IL, USA; Wentworth Greene Field Memorial Fund; Italian

Background imageClaude Lorrain (1600-82) Collection: View of Delphi with a Procession, 1673 (oil on canvas)

View of Delphi with a Procession, 1673 (oil on canvas)
2970547 View of Delphi with a Procession, 1673 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 101.6x127 cm; The Art Institute of Chicago, IL, USA; Robert A

Background imageClaude Lorrain (1600-82) Collection: Angelica and Medoro, c. 1630 (oil on canvas)

Angelica and Medoro, c. 1630 (oil on canvas)
3614105 Angelica and Medoro, c.1630 (oil on canvas) by Blanchard, Jacques (1600-38); 121.6x175.9 cm; Metropolitan Museum of Art, New York

Background imageClaude Lorrain (1600-82) Collection: The Ford, c. 1636 (oil on canvas)

The Ford, c. 1636 (oil on canvas)
3614095 The Ford, c.1636 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 74.3x101 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Previously titled Morning ); French

Background imageClaude Lorrain (1600-82) Collection: St. George slaying the dragon

St. George slaying the dragon
3125101 St. George slaying the dragon by German School, (16th century); (add.info.: St. George slaying the dragon. In the background left the princess. The Master is a relative of Hans DAorer)

Background imageClaude Lorrain (1600-82) Collection: Landscape with bridge

Landscape with bridge
3125097 Landscape with bridge by Claude Lorrain (Claude Gellee) (1600-82); (add.info.: Landscape with bridge, behind which opens a wide valley. On the right a resting shepherd and a cow)

Background imageClaude Lorrain (1600-82) Collection: St Cecilia and story of her life Detail: St Cecilia persuading her husband Valerianus to

St Cecilia and story of her life Detail: St Cecilia persuading her husband Valerianus to
LRI4573108 St Cecilia and story of her life Detail: St Cecilia persuading her husband Valerianus to baptize - altarpiece, c.1290-1320 by Master of St

Background imageClaude Lorrain (1600-82) Collection: Port with a villa Medicis - Oil on canvas, 1637

Port with a villa Medicis - Oil on canvas, 1637
LRI4573089 Port with a villa Medicis - Oil on canvas, 1637 by Claude Lorrain (Claude Gellee) (1600-82); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Port with a villa Medicis)

Background imageClaude Lorrain (1600-82) Collection: View of Dresden with the Frauenkirche at Left, 1747 (oil on canvas)

View of Dresden with the Frauenkirche at Left, 1747 (oil on canvas)
3577009 View of Dresden with the Frauenkirche at Left, 1747 (oil on canvas) by Bellotto, Bernardo (1720-80); 130.8x232.4 cm; North Carolina Museum of Art, Raleigh

Background imageClaude Lorrain (1600-82) Collection: Landscape with Peasants Returning with Their Herds, c. 1637 (oil on canvas)

Landscape with Peasants Returning with Their Herds, c. 1637 (oil on canvas)
3577001 Landscape with Peasants Returning with Their Herds, c.1637 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 75.9x101.6 cm; North Carolina Museum of Art, Raleigh

Background imageClaude Lorrain (1600-82) Collection: Landscape with Moses and the Burning Bush, 1610-16 (oil on copper)

Landscape with Moses and the Burning Bush, 1610-16 (oil on copper)
3493285 Landscape with Moses and the Burning Bush, 1610-16 (oil on copper) by Domenichino (Domenico Zampieri) (1581-1641); 70.5x86.7 cm; Metropolitan Museum of Art, New York

Background imageClaude Lorrain (1600-82) Collection: View of La Crescenza, 1648-50 (oil on canvas)

View of La Crescenza, 1648-50 (oil on canvas)
3493275 View of La Crescenza, 1648-50 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 38.7x58.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Venice: St Marks and the Loggetta (pen and brown ink)

Venice: St Marks and the Loggetta (pen and brown ink)
1216778 Venice: St Marks and the Loggetta (pen and brown ink) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 8.8x12.2 cm; Ashmolean Museum, University of Oxford

Background imageClaude Lorrain (1600-82) Collection: Watermill among Trees, c. 1635-38 (pen and black ink with grey wash over black chalk

Watermill among Trees, c. 1635-38 (pen and black ink with grey wash over black chalk
1216772 Watermill among Trees, c.1635-38 (pen and black ink with grey wash over black chalk on white paper) by Claude Lorrain (Claude Gellee) (1600-82); 14.2x19.9 cm; Ashmolean Museum

Background imageClaude Lorrain (1600-82) Collection: La Vigne, 1860-1863 (oil on canvas)

La Vigne, 1860-1863 (oil on canvas)
BIR189898 La Vigne, 1860-1863 (oil on canvas) by Daubigny, Charles Francois (1817-78); 62.3x81.3 cm; Birmingham Museums and Art Gallery; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Coastal Scene with the Embarkation of Saint Paul, 1655 (oil on copper)

Coastal Scene with the Embarkation of Saint Paul, 1655 (oil on copper)
BIR189895 Coastal Scene with the Embarkation of Saint Paul, 1655 (oil on copper) by Claude Lorrain (Claude Gellee) (1600-82); 38.1x52.6 cm; Birmingham Museums and Art Gallery; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Napoleon (1769-1821) arriving on the Island of Elba, 1814 (litho) (b / w photo)

Napoleon (1769-1821) arriving on the Island of Elba, 1814 (litho) (b / w photo)
CHT163733 Napoleon (1769-1821) arriving on the Island of Elba, 1814 (litho) (b/w photo) by French School, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageClaude Lorrain (1600-82) Collection: Landscape with Abraham Expelling Hagar and Ishmael, c. 1665-67

Landscape with Abraham Expelling Hagar and Ishmael, c. 1665-67
FIT167653 Landscape with Abraham Expelling Hagar and Ishmael, c.1665-67 (pen and ink and wash over chalk on paper) by Claude Lorrain (Claude Gellee) (1600-82); 14.2x20.4 cm; Fitzwilliam Museum

Background imageClaude Lorrain (1600-82) Collection: Part of the commune of Vincennes (pen & ink on paper)

Part of the commune of Vincennes (pen & ink on paper)
449284 Part of the commune of Vincennes (pen & ink on paper) by Gasselin, Noel (fl.1677); 8.5x30.8 cm; eThe Devonshire Collections

Background imageClaude Lorrain (1600-82) Collection: Landscape with the journey of Jacob (pen & ink with wash on paper)

Landscape with the journey of Jacob (pen & ink with wash on paper)
449257 Landscape with the journey of Jacob (pen & ink with wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 25.6x38.7 cm; eThe Devonshire Collections

Background imageClaude Lorrain (1600-82) Collection: The London Palladium (b / w photo)

The London Palladium (b / w photo)
XJF441909 The London Palladium (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: theatre designed by Frank Matcham (1854-1920) and built in 1910; ); English

Background imageClaude Lorrain (1600-82) Collection: Hagar and the Angel (pen & brown ink on paper)

Hagar and the Angel (pen & brown ink on paper)
CTS441474 Hagar and the Angel (pen & brown ink on paper) by Claude Lorrain (Claude Gellee) (1600-82); 22.2x32.3 cm; eThe Devonshire Collections

Background imageClaude Lorrain (1600-82) Collection: Portrait of Henry More (1614-87) frontispiece to his Theological Works

Portrait of Henry More (1614-87) frontispiece to his Theological Works
STC95228 Portrait of Henry More (1614-87) frontispiece to his Theological Works, engraved by William Faithorne (1616-91) 1675 (engraving) by English School

Background imageClaude Lorrain (1600-82) Collection: Pastoral Landscape (oil on canvas)

Pastoral Landscape (oil on canvas)
AGN95223 Pastoral Landscape (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 42.6x54 cm; Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Pastoral Landscape (black chalk & wash on paper)

Pastoral Landscape (black chalk & wash on paper)
AGN95216 Pastoral Landscape (black chalk & wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 22x32 cm; Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Assault on a Citadel (w / c on paper)

Assault on a Citadel (w / c on paper)
AGN95214 Assault on a Citadel (w/c on paper) by Claude Lorrain (Claude Gellee) (1600-82); 22.8x33.1 cm; Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: At the inn. Painting by Ricardo Canals Y Llambi (1876-1931), 1891-1931

At the inn. Painting by Ricardo Canals Y Llambi (1876-1931), 1891-1931
AIS5389164 At the inn. Painting by Ricardo Canals Y Llambi (1876-1931), 1891-1931. by Canals y Llambi, Ricardo (1876-1931); Museu Nacional d Art de Catalunya, Barcelona, Spain; Spanish

Background imageClaude Lorrain (1600-82) Collection: Art Byzantium: wild boar hunting. Different hunting techniques

Art Byzantium: wild boar hunting. Different hunting techniques
JLJ4686337 Art Byzantium: wild boar hunting. Different hunting techniques. Top: capture of beets in nets. In the center game hunting for a bow. Bottom: hunters attack by animals

Background imageClaude Lorrain (1600-82) Collection: Clearance from Cleopatre to Tarsus. Cleopatre, Queen of Egypt meets Marc Antoine

Clearance from Cleopatre to Tarsus. Cleopatre, Queen of Egypt meets Marc Antoine
JLJ4686301 Clearance from Cleopatre to Tarsus. Cleopatre, Queen of Egypt meets Marc Antoine, in Tarsus (province of Cilicia, Turkey) in 41 BC

Background imageClaude Lorrain (1600-82) Collection: The scientist dog Painting by Francois Boucher (1703-1770

The scientist dog Painting by Francois Boucher (1703-1770
JLJ4585625 The scientist dog Painting by Francois Boucher (1703-1770) 18th century Choletn Museum of Art and History by Boucher, Francois (1703-70); Musee d Art et d histoire, Cholet

Background imageClaude Lorrain (1600-82) Collection: Sea port, fog effect Painting by Claude Gellee dit le Lorrain (1600-1682) 1646 Sun

Sea port, fog effect Painting by Claude Gellee dit le Lorrain (1600-1682) 1646 Sun
JLJ4585612 Sea port, fog effect Painting by Claude Gellee dit le Lorrain (1600-1682) 1646 Sun. 1, 19x1, 5 m Paris, Musee du Louvre by Claude Lorrain (Claude Gellee) (1600-82); Louvre, Paris

Background imageClaude Lorrain (1600-82) Collection: The girl has the rose Painting by Jean Baptiste Greuze (1725-1805) 18th century

The girl has the rose Painting by Jean Baptiste Greuze (1725-1805) 18th century
JLJ4582802 The girl has the rose Painting by Jean Baptiste Greuze (1725-1805) 18th century. Paris, Musee Cognacq Jay. by Greuze, Jean Baptiste (1725-1805); Musee Cognacq-Jay, Paris

Background imageClaude Lorrain (1600-82) Collection: View of a port with the Capitol View of the city of Rome in Italy

View of a port with the Capitol View of the city of Rome in Italy
JLJ4582741 View of a port with the Capitol View of the city of Rome in Italy. Painting by Claude Gellee called the Lorrain (1600-1682) 17th century Sun. 0, 56x0, 82 m Paris, Musee du Louvre

Background imageClaude Lorrain (1600-82) Collection: Three naked men. Drawing by Antonio Pollaiuolo (Pollaiolo) (1432-1498), 15th century

Three naked men. Drawing by Antonio Pollaiuolo (Pollaiolo) (1432-1498), 15th century
JLJ4598723 Three naked men. Drawing by Antonio Pollaiuolo (Pollaiolo) (1432-1498), 15th century. Feather and wash. Dim: 0.26 X 0; 35m

Background imageClaude Lorrain (1600-82) Collection: Enee and the cumes sibylle. Drawing by Claude Gellee dit Le Lorrain (1600-1682)

Enee and the cumes sibylle. Drawing by Claude Gellee dit Le Lorrain (1600-1682)
JLJ4598720 Enee and the cumes sibylle. Drawing by Claude Gellee dit Le Lorrain (1600-1682), 17th century. Dim: 0.25 X 0.35m



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site