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Claude Lorrain (1600-82) Collection (page 4)

279 items

Background imageClaude Lorrain (1600-82) Collection: Three naked men. Drawing by Antonio Pollaiuolo (Pollaiolo) (1432-1498), 15th century

Three naked men. Drawing by Antonio Pollaiuolo (Pollaiolo) (1432-1498), 15th century
JLJ4598723 Three naked men. Drawing by Antonio Pollaiuolo (Pollaiolo) (1432-1498), 15th century. Feather and wash. Dim: 0.26 X 0; 35m

Background imageClaude Lorrain (1600-82) Collection: Enee and the cumes sibylle. Drawing by Claude Gellee dit Le Lorrain (1600-1682)

Enee and the cumes sibylle. Drawing by Claude Gellee dit Le Lorrain (1600-1682)
JLJ4598720 Enee and the cumes sibylle. Drawing by Claude Gellee dit Le Lorrain (1600-1682), 17th century. Dim: 0.25 X 0.35m

Background imageClaude Lorrain (1600-82) Collection: Cover of the book 'Jeanne d Arc '

Cover of the book "Jeanne d Arc "
JLJ4624879 Cover of the book " Jeanne d Arc " by Theodore Cahu and illustrated by Paul De Semant (1855-1915) by Semant

Background imageClaude Lorrain (1600-82) Collection: The seat of the Rochelle by Louis XIII (1601-1643) October 8

The seat of the Rochelle by Louis XIII (1601-1643) October 8
JLJ4624872 The seat of the Rochelle by Louis XIII (1601-1643) October 8, 1628 Painting by Claude Gellee called the Lorrain (1600-1682). Dim. 0, 28x0, 42 m

Background imageClaude Lorrain (1600-82) Collection: Ascanius shooting the stag of Sylvia, c. 1680 (pen & ink with wash on paper)

Ascanius shooting the stag of Sylvia, c. 1680 (pen & ink with wash on paper)
1762611 Ascanius shooting the stag of Sylvia, c.1680 (pen & ink with wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 25.2x32.9 cm; eThe Devonshire Collections

Background imageClaude Lorrain (1600-82) Collection: A scene of sacrifice (black chalk, some with pen and brown ink. coloured with w / c)

A scene of sacrifice (black chalk, some with pen and brown ink. coloured with w / c)
5044158 A scene of sacrifice (black chalk, some with pen and brown ink. coloured with w/c) by Bartoli, Pietro Santi (1635-1700)

Background imageClaude Lorrain (1600-82) Collection: View of the Belvedere and the Fortification of the Vatican

View of the Belvedere and the Fortification of the Vatican
5044156 View of the Belvedere and the Fortification of the Vatican, 1630-1635 (pen and brown ink and brown wash) by Claude Lorrain (Claude Gellee) (1600-82)

Background imageClaude Lorrain (1600-82) Collection: The Dolls Tea Party

The Dolls Tea Party
CW10027 The Dolls Tea Party by Gogin, Charles (1844-1931); Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

Background imageClaude Lorrain (1600-82) Collection: A Pastoral Landscape

A Pastoral Landscape
CP10019 A Pastoral Landscape by Claude Lorrain (Claude Gellee) (1600-82); Private Collection; eLady Inglewood; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Spring, 1872 (oil on canvas)

Spring, 1872 (oil on canvas)
CH97804 Spring, 1872 (oil on canvas) by Pissarro, Camille (1830-1903); 55x130 cm; Private Collection; (add.info.: from The Four Seasons set); Photo eChristies Images; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: View Outside the Piazza del Popolo (black chalk & wash on paper)

View Outside the Piazza del Popolo (black chalk & wash on paper)
AGN95217 View Outside the Piazza del Popolo (black chalk & wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 22.2x32 cm; Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: The Cascades of Tivoli (black chalk on paper)

The Cascades of Tivoli (black chalk on paper)
AGN95215 The Cascades of Tivoli (black chalk on paper) by Claude Lorrain (Claude Gellee) (1600-82); 22.3x32 cm; Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Portrait of Robert Cecil (1563-1612) 1st Earl of Salisbury

Portrait of Robert Cecil (1563-1612) 1st Earl of Salisbury
STC95233 Portrait of Robert Cecil (1563-1612) 1st Earl of Salisbury, engraved by Renold Elstrack (1571-c.1630) c.1607 (engraving) by English School

Background imageClaude Lorrain (1600-82) Collection: Apollo and Mercury (brown & grey ink and wash on paper)

Apollo and Mercury (brown & grey ink and wash on paper)
AGN95222 Apollo and Mercury (brown & grey ink and wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: The Lamentation of Christ, c. 1616

The Lamentation of Christ, c. 1616
BOO73466 The Lamentation of Christ, c.1616 by Bellange, Jacques (c.1575-1616); 116.3x173 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Italian Landscape, 1648

Italian Landscape, 1648
BOO73462 Italian Landscape, 1648 by Claude Lorrain (Claude Gellee) (1600-82); 75x100 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Landscape with Jacob Wrestling with the Angel, or Night, 1672

Landscape with Jacob Wrestling with the Angel, or Night, 1672
BOO73440 Landscape with Jacob Wrestling with the Angel, or Night, 1672 by Claude Lorrain (Claude Gellee) (1600-82); 113x157 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Landscape with Apollo guarding the Cattle of Admetus and Mercury stealing them

Landscape with Apollo guarding the Cattle of Admetus and Mercury stealing them
HLK151708 Landscape with Apollo guarding the Cattle of Admetus and Mercury stealing them (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82)

Background imageClaude Lorrain (1600-82) Collection: The Origin of Coral or Perseus with Head of the Medusa (oil on canvas)

The Origin of Coral or Perseus with Head of the Medusa (oil on canvas)
HLK151707 The Origin of Coral or Perseus with Head of the Medusa (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82)

Background imageClaude Lorrain (1600-82) Collection: 'Une vue de Rome, Italie'(A View in Rome

"Une vue de Rome, Italie"(A View in Rome
FIA5389187 " Une vue de Rome, Italie" (A View in Rome) Peinture de Claude Lorrain (1600-1682) Oil on canvas 1632 Dim 60, 3x84 cm National Gallery

Background imageClaude Lorrain (1600-82) Collection: Landscape with Psyche outside the palace of Cupid or the enchanted castle

Landscape with Psyche outside the palace of Cupid or the enchanted castle
FIA5389162 Landscape with Psyche outside the palace of Cupid or the enchanted castle, 1664 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 87, 1x151, 3 cm; National Gallery, London

Background imageClaude Lorrain (1600-82) Collection: Benjamin West, Anglo-American painter (engraving)

Benjamin West, Anglo-American painter (engraving)
812993 Benjamin West, Anglo-American painter (engraving) by Harlow, George Henry (1787-1819) (after); Private Collection; (add.info.: Benjamin West, Anglo-American painter (1738-1820)

Background imageClaude Lorrain (1600-82) Collection: Claude Lorrain, French painter of the Baroque era. Engraved by William Holl (engraving)

Claude Lorrain, French painter of the Baroque era. Engraved by William Holl (engraving)
812988 Claude Lorrain, French painter of the Baroque era. Engraved by William Holl (engraving) by Claude Lorrain (Claude Gellee) (1600-82); Private Collection; (add.info.: Claude Lorrain)

Background imageClaude Lorrain (1600-82) Collection: Spring in a Narrow Gorge, 1881 (oil on canvas)

Spring in a Narrow Gorge, 1881 (oil on canvas)
3545809 Spring in a Narrow Gorge, 1881 (oil on canvas) by Bocklin, Arnold (1827-1901); 84.5x59.4 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Quell in einer Felsschlucht); Swiss

Background imageClaude Lorrain (1600-82) Collection: A rare 18th century globe triplet, Nuremburg (mixed media)

A rare 18th century globe triplet, Nuremburg (mixed media)
CH362860 A rare 18th century globe triplet, Nuremburg (mixed media) by Klinger, Johann Georg (1764-1806); Private Collection; (add.info.: terrestrial globe of 1791)

Background imageClaude Lorrain (1600-82) Collection: The Expulsion of Hagar, 1668 (oil on canvas)

The Expulsion of Hagar, 1668 (oil on canvas)
BFM360882 The Expulsion of Hagar, 1668 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 107x140 cm; Alte Pinakothek, Munich

Background imageClaude Lorrain (1600-82) Collection: St. Sebastian and St. Cecilia (oil on copper)

St. Sebastian and St. Cecilia (oil on copper)
CRS225645 St.Sebastian and St.Cecilia (oil on copper) by Fontana, Lavinia (1552-1614); Corsham Court, Wiltshire; Italian, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Landscape with St John the Baptist (oil on copper)

Landscape with St John the Baptist (oil on copper)
CRS225638 Landscape with St John the Baptist (oil on copper) by Claude Lorrain (Claude Gellee) (1600-82); Corsham Court, Wiltshire; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Madonna and Child and Two Angels with Twelve Scenes from the Passion, c

Madonna and Child and Two Angels with Twelve Scenes from the Passion, c
TMK289050 Madonna and Child and Two Angels with Twelve Scenes from the Passion, c.1310 (tempera on panel) by Italian School; 67.3x179.4 cm; The Putnam Foundation, Timken Museum of Art, San Diego

Background imageClaude Lorrain (1600-82) Collection: Pastoral Landscape, 1646-47 (oil on canvas)

Pastoral Landscape, 1646-47 (oil on canvas)
TMK289047 Pastoral Landscape, 1646-47 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 102.4x132.7 cm; The Putnam Foundation, Timken Museum of Art, San Diego, USA; eTimken Museum of Art

Background imageClaude Lorrain (1600-82) Collection: View of the Sea, Port and Amphitheatre of Pola (oil on canvas)

View of the Sea, Port and Amphitheatre of Pola (oil on canvas)
HLK151710 View of the Sea, Port and Amphitheatre of Pola (oil on canvas) by Bloemen, Jan Frans van (Orizonte) (1662-1749); 75.5x100.5 cm; By kind permission of the Earl of Leicester

Background imageClaude Lorrain (1600-82) Collection: Classical river scene with a view of a town (oil on canvas)

Classical river scene with a view of a town (oil on canvas)
HLK151706 Classical river scene with a view of a town (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 81x106.2 cm; By kind permission of the Earl of Leicester

Background imageClaude Lorrain (1600-82) Collection: St. Barbara (tempera on paper)

St. Barbara (tempera on paper)
Ma90073 St. Barbara (tempera on paper) by Stillman, Marie Spartali (1844-1927); 68x53 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Morning at the Port, 1640 (oil on canvas)

Morning at the Port, 1640 (oil on canvas)
PWI90070 Morning at the Port, 1640 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); State Hermitage Museum, St. Petersburg, Russia; ePeter Willi; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Wooded Landscape with a Pond, c. 1830s (oil on canvas)

Wooded Landscape with a Pond, c. 1830s (oil on canvas)
BI92072 Wooded Landscape with a Pond, c.1830s (oil on canvas) by Corot, Jean Baptiste Camille (1796-1875) (follower of); 46.4x74.1 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Background imageClaude Lorrain (1600-82) Collection: Pastoral Landscape, 1645 (oil on canvas)

Pastoral Landscape, 1645 (oil on canvas)
BI92070 Pastoral Landscape, 1645 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 101.5x134 cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Background imageClaude Lorrain (1600-82) Collection: Abbey Mill, Knaresborough (w / c on paper)

Abbey Mill, Knaresborough (w / c on paper)
AGN35485 Abbey Mill, Knaresborough (w/c on paper) by Girtin, Thomas (1775-1802); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageClaude Lorrain (1600-82) Collection: Landscape with Castle

Landscape with Castle
AGN35463 Landscape with Castle by Claude Lorrain (Claude Gellee) (1600-82); Private Collection; Photo eAgnew s, London; French, out of copyright

Background imageClaude Lorrain (1600-82) Collection: The Judgment of Paris, 1645-46 (oil on canvas)

The Judgment of Paris, 1645-46 (oil on canvas)
5889623 The Judgment of Paris, 1645-46 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 112.3x149.5 cm; National Gallery of Art, Washington DC

Background imageClaude Lorrain (1600-82) Collection: A Landscape at Sunset with Fishermen returning with their Catch, 1773 (oil on canvas)

A Landscape at Sunset with Fishermen returning with their Catch, 1773 (oil on canvas)
FIA5389219 A Landscape at Sunset with Fishermen returning with their Catch, 1773 (oil on canvas) by Vernet, Claude Joseph (1714-89); 114, 5x164 cm; National Gallery, London, UK; French

Background imageClaude Lorrain (1600-82) Collection: 'Port de mer au soleil couchant'(A seaport

"Port de mer au soleil couchant"(A seaport
FIA5389176 " Port de mer au soleil couchant" (A seaport) Peinture de Claude Lorrain (1600-1682) Oil on canvas 1644 Dim 103x131 cm National Gallery

Background imageClaude Lorrain (1600-82) Collection: 'Paysage sur le tibre avec Castel sant angelo (Chateau saint Ange

"Paysage sur le tibre avec Castel sant angelo (Chateau saint Ange
FIA5388657 " Paysage sur le tibre avec Castel sant angelo (Chateau saint Ange) Rome" (Tiber Landscape with Castel Sant Angelo in the Background)

Background imageClaude Lorrain (1600-82) Collection: The Meeting between Venus and Aeneas, c. 1678 (pen & ink with wash on paper)

The Meeting between Venus and Aeneas, c. 1678 (pen & ink with wash on paper)
1762612 The Meeting between Venus and Aeneas, c.1678 (pen & ink with wash on paper) by Claude Lorrain (Claude Gellee) (1600-82); 24.5x31.8 cm; eThe Devonshire Collections

Background imageClaude Lorrain (1600-82) Collection: The wedding of Cana, detail: the wine detail of the wedding of Cana

The wedding of Cana, detail: the wine detail of the wedding of Cana
JLJ4608088 The wedding of Cana, detail: the wine detail of the wedding of Cana. Fresco by Paolo Veronese (1528-1588) Ec. Fri. 1562-1563. Oil on canvas

Background imageClaude Lorrain (1600-82) Collection: Landscape with Tobie (Tobit) and Archangel Raphael (1639, oil on canvas)

Landscape with Tobie (Tobit) and Archangel Raphael (1639, oil on canvas)
LRI4608061 Landscape with Tobie (Tobit) and Archangel Raphael (1639, oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); Prado, Madrid

Background imageClaude Lorrain (1600-82) Collection: Design for the Mechanics Institute, Newcastle upon Tyne

Design for the Mechanics Institute, Newcastle upon Tyne
1214465 Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card) by Storey, John (1828-88); Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: The Literary)

Background imageClaude Lorrain (1600-82) Collection: Landscape with a Herd of Deer, 1666 (black chalk, rubbed

Landscape with a Herd of Deer, 1666 (black chalk, rubbed
1216771 Landscape with a Herd of Deer, 1666 (black chalk, rubbed, with pen and brown ink on stained off-white paper) by Claude Lorrain (Claude Gellee) (1600-82); 19.2x25.4 cm; Ashmolean Museum

Background imageClaude Lorrain (1600-82) Collection: Tomb of Cecilia Metella, 1669 (black chalk with pen and brown ink

Tomb of Cecilia Metella, 1669 (black chalk with pen and brown ink
1216765 Tomb of Cecilia Metella, 1669 (black chalk with pen and brown ink and grey-brown washes on a fine-surfaced, off-white paper) by Claude Lorrain (Claude Gellee) (1600-82)



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