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A kiel - A German officer in uniform, with helmet pointed on his head, personification of Germany, courts and kisses Marianne, the personification of France, wearing a dance dress. She says shes ready to do business with him, but nothing more
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A kiel - A German officer in uniform, with helmet pointed on his head, personification of Germany, courts and kisses Marianne, the personification of France, wearing a dance dress. She says shes ready to do business with him, but nothing more
XEE4156781 A kiel - A German officer in uniform, with helmet pointed on his head, personification of Germany, courts and kisses Marianne, the personification of France, wearing a dance dress. She says shes ready to do business with him, but nothing more. On the wall of the room where they are, there is a map of Northern Germany, which refers to the Kiel Canal, made in 1895 - drawing by Georges Paul LEONNEC (1881-1940) for " Laughter" of 1895 by Lehonnec, Georges Paul (1881-1940); Private Collection; (add.info.: A kiel - A German officer in uniform, with helmet pointed on his head, personification of Germany, courts and kisses Marianne, the personification of France, wearing a dance dress. She says shes ready to do business with him, but nothing more. On the wall of the room where they are, there is a map of Northern Germany, which refers to the Kiel Canal, made in 1895 - drawing by Georges Paul LEONNEC (1881-1940) for " Laughter" of 1895); Stefano Bianchetti
Media ID 25213462
© Stefano Bianchetti / Bridgeman Images
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EDITORS COMMENTS
In this photo print, we witness a symbolic encounter between two nations personified. A German officer, adorned in his uniform with a pointed helmet, stands before Marianne, the embodiment of France. The tension between them is palpable as he courts her with a tender kiss. Marianne, dressed in an elegant dance gown, exudes confidence and strength. She asserts that she is prepared to engage in business dealings with Germany but nothing more. Her stance represents the resilience and determination of France during this historical period. The room they occupy is adorned with a map of Northern Germany from 1895, specifically referencing the Kiel Canal. This detail adds depth to the scene by alluding to the geopolitical context surrounding their interaction. Georges Paul LEONNEC's masterful drawing for "Laughter" captures not only the political dynamics but also hints at underlying tensions and potential alliances between these two powerful nations. Stefano Bianchetti's expertly preserved print allows us to delve into this moment frozen in time—a snapshot of history that speaks volumes about diplomacy and power struggles on both national and personal levels. As viewers, we are left pondering what lies beyond this fleeting embrace—will it lead to cooperation or conflict? Only time will reveal the outcome of their intricate dance on the world stage.
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