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L Assiette au Beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) (lithograph)
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L Assiette au Beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) (lithograph)
ICA4887142 L Assiette au Beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 140, Satirique en Couleurs, 1903_12_5: England Great Britain, Morocco - Edward VII (1841-1910), Delcasse Theophile (1852-1923) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25212020
© Caricadoc / Bridgeman Images
Courtesy Courtier Friendship International Relations Maghreb Maghrebin Maghrebine Moroccan Morocco Afica Afric Caricadoc Central Africa Years 1900
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EDITORS COMMENTS
This lithograph, titled "L Assiette au Beurre, number 140, Satirique en Couleurs" transports us back to the early 20th century and offers a glimpse into the complex political landscape of that time. The print features two prominent figures: Edward VII, the King of England and Great Britain from 1901 to 1910, and Théophile Delcassé, a French statesman who served as Foreign Minister from 1898 to 1905. The artwork explores the relationship between England and Morocco during this period of colonialism. It depicts Edward VII alongside Delcassé in what appears to be a friendly encounter. Their presence suggests an alliance or collaboration between these two nations. The artist behind this intricate illustration is Leal de Camara (1877-1948), whose attention to detail brings life to each character portrayed. Through his skilled handiwork, we can observe not only the physical attributes but also the personalities of both men. This print serves as a historical document that sheds light on international relations at the turn of the century. It invites us to reflect on themes such as power dynamics, friendship between nations, and cultural exchange. Overall, this lithograph captures a moment in history when politics intertwined with artistry. Its vibrant colors and meticulous details make it an intriguing piece worth exploring for anyone interested in understanding past relationships between countries or studying political satire during this era.
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