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The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)
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The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)
1196715 The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint) by Howitt, Samuel (1756-1822) (after); 46x58.5 cm; Private Collection; Photo © Christies Images
Media ID 25499828
© Christie's Images / Bridgeman Images
1800s 1807 20th Century Painting Animal Cruelty Animal Theme Animal Themes Aquatint Armed Big Cat Blood Sport Cheering Colonisation Colony Early 19th Century Early Nineteenth Century Elephant English Art English Artist Etching Feline Hand Colored Hand Coloring Hand Coloured Hand Colouring Hand Tinted Handcolored Historic Event Historical Event Historical Events Islamic Art Large Group Mixed Race Group Multicultural Negative Concept Olden Time Palanquin Printed Prints Road Transport Road Vehicle Samuel Howitt Sedan Sedan Chair Tiger Tigers Vehicle Vehicles 19th Century Painting Artist British British Artist Defensive Weapon Ethnic Origin H Merke Handcoloured Howitt Infantry Weapon Mortality William Samuel Howitt
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The Dead Tiger; Mort du tigre, 1807
EDITORS COMMENTS
is a captivating hand-coloured aquatint print that transports us back to the early nineteenth century. Created by British artist Samuel Howitt, this artwork measures 46x58.5 cm and is currently held in a private collection. The scene depicted in the print showcases a large group of people from diverse ethnic backgrounds gathered outdoors. The setting is reminiscent of a colonial era, with men armed and dressed in traditional attire. A sense of historical significance fills the air as we witness an event unfolding before our eyes. At the center of attention lies the majestic tiger, lifeless and motionless on the ground. Its presence symbolizes power and strength now vanquished by man's dominance over nature. This negative concept evokes contemplation about humanity's impact on wildlife during this period. Amongst the crowd stands Captain Thomas Williamson, whose role in this historic event remains unknown but adds intrigue to the narrative. The vibrant hand-colouring technique enhances every detail, bringing life to both humans and animals alike. This artwork serves as a window into an era defined by exploration, conquests, and cultural encounters between European colonizers and indigenous populations across continents. It offers valuable insights into English art during this time while showcasing elements of Islamic art through its multicultural representation. "The Dead Tiger; Mort du tigre" captures not only an artistic masterpiece but also invites reflection upon historical events that shaped our world centuries ago – reminding us of our complex relationship with nature and each other throughout history.
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