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The Last of England, 1852-55 (oil on panel)

The Last of England, 1852-55 (oil on panel)


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The Last of England, 1852-55 (oil on panel)

BIR451292 The Last of England, 1852-55 (oil on panel) by Brown, Ford Madox (1821-93); Birmingham Museums and Art Gallery; (add.info.: Ford and Emma Madox Brown; ); English, out of copyright

Media ID 23489198

© Bridgeman Images

Cold Dover Emigrant Emigrants Emigrating Emigration Frame Huddled Leaving Roundel Self Portrait Umbrella Uncomfortable White Cliffs Pre Raphaelite


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> Arts > Artists > B > Ford Madox Brown

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> Fine Art Finder > Pre-raphaelites & Neo-classical


The Last of England, 1852-55

EDITORS COMMENTS
is a captivating oil painting by Ford Madox Brown that depicts the poignant scene of emigration during the Victorian era. In this evocative artwork, we witness a couple standing on the deck of a ship, huddled together for warmth and support as they prepare to leave their homeland behind. The white cliffs of Dover serve as a backdrop, symbolizing both departure and hope for new beginnings. The artist's use of an oval frame adds to the intimacy and intensity of the moment captured within. Ford Madox Brown himself appears in this self-portrait alongside his wife Emma Madox Brown, making it not only an artistic masterpiece but also a personal reflection on their own experiences with emigration. The couple's expressions reveal their mixed emotions - anticipation mingled with sadness and uncertainty. Through meticulous attention to detail and adherence to Pre-Raphaelite principles, Brown conveys the uncomfortable conditions faced by emigrants during this time. Their clothing suggests cold weather while an umbrella provides some protection against the elements. "The Last of England" serves as a powerful reminder of the sacrifices made by countless individuals who left everything behind in search of better opportunities elsewhere. It captures both the physical journey across treacherous waters and the emotional turmoil experienced by those embarking on such life-altering adventures. Displayed at Birmingham Museums and Art Gallery, this timeless painting continues to resonate with viewers today, inviting contemplation about themes such as migration, identity, and human resilience.

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