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Plate 682. Fallow; Buck; A, Trotting; B, Galloping, 1885 (collotype on paper)
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Plate 682. Fallow; Buck; A, Trotting; B, Galloping, 1885 (collotype on paper)
3950676 Plate 682. Fallow; Buck; A, Trotting; B, Galloping, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.6x29.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume XI, Wild Animals and Birds); gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659336
© gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Antlers Deer Early Motion Picture Sequence Frames Gallop Galloping Motion Sequence Sequential Stop Motion Trot Trotting Wild Animal B W Photo Black And White Photograph
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This photograph, titled "Plate 682. Fallow; Buck; A, Trotting; B, Galloping, 1885" captures the essence of motion and action in a stunning display. Taken by renowned photographer Eadweard Muybridge in collotype on paper format, this print measures 24.6x29.5 cm and is housed at the Addison Gallery of American Art in Andover, MA. Part of Muybridge's groundbreaking series "Animal Locomotion" from 1887, Volume XI - Wild Animals and Birds, this image showcases his pioneering work in early motion picture sequences. With its scientific approach to capturing movement through sequential frames using stop-motion photography techniques, it offers a unique study into animal locomotion. In this particular print, we witness the graceful movements of a fallow deer as it transitions from trotting to galloping. The antlers proudly displayed atop its head add an element of majesty to the scene. Muybridge's meticulous attention to detail allows us to appreciate every nuance of the deer's stride and rhythm during these two distinct gaits. Through his lens, he freezes time for us to observe nature's beauty with scientific precision. This photograph not only serves as a testament to Muybridge's artistic skill but also highlights his significant contributions to both photography and science alike. It stands as a timeless reminder that even within still images lies the power to capture life in motion – forever preserving fleeting moments for
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