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Woman Viewed from Behind (Visit to the Museum), c. 1879-85 (oil on canvas)

Woman Viewed from Behind (Visit to the Museum), c. 1879-85 (oil on canvas)


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Woman Viewed from Behind (Visit to the Museum), c. 1879-85 (oil on canvas)

3428119 Woman Viewed from Behind (Visit to the Museum), c.1879-85 (oil on canvas) by Degas, Edgar (1834-1917); 81.3x75.6 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Media ID 18260511

© National Gallery of Art, Washington DC, USA / Bridgeman Images

Art Gallery Back Back View French Impressionism French Impressionist Gallery


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EDITORS COMMENTS
This print captures the essence of Edgar Degas' masterpiece, "Woman Viewed from Behind (Visit to the Museum)". Painted between 1879-85, this oil on canvas artwork showcases Degas' unique perspective on female beauty and his mastery of impressionism. The photograph focuses on the back view of a woman standing in an art gallery. Her elegant posture and graceful silhouette are enhanced by her stylish hat, adding a touch of sophistication to the scene. The artist's choice to depict her from behind creates an air of mystery, inviting viewers to imagine what she might be observing within the museum. Degas was renowned for his ability to capture everyday moments with great detail and sensitivity. Through his brushstrokes, he brings life to this anonymous woman, making her presence felt even without revealing her face. This painting is a testament to Degas' skill in portraying human emotions through body language alone. Displayed at the National Gallery of Art in Washington DC, this French impressionist piece continues to captivate audiences with its timeless beauty. It serves as a reminder that art has the power not only to reflect culture but also evoke emotions and spark our imagination. This print is perfect for art enthusiasts who appreciate both classic masterpieces and fine photography. It allows us to bring home a piece of history while celebrating the enduring legacy of one of France's most influential artists - Edgar Degas.

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