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Near Wady Halfeh, 5: 30pm, 6 February 1867 (ink and w / c)

Near Wady Halfeh, 5: 30pm, 6 February 1867 (ink and w  /  c)


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Near Wady Halfeh, 5: 30pm, 6 February 1867 (ink and w / c)

XYC306197 Near Wady Halfeh, 5:30pm, 6 February 1867 (ink and w/c) by Lear, Edward (1812-88); 7.6x13.2 cm; Yale Center for British Art, Gift of Donald Gallup, USA; English, out of copyright

Media ID 12841066

© www.bridgemanart.com

Bleak Desert Egyptian Temple Nubia Palm Trees Palms Remains Wady Halfa Sudan Wadi


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> Africa > Sudan > Related Images

> Animals > Mammals > Muridae > Desert Mouse

> Architecture > Styles > Egyptian Architecture

> Architecture > Temples

> Arts > Artists > L > Edward Lear

> Arts > Contemporary art > Landscapes > Desert landscapes

> Fine Art Finder > Artists > Edward Lear


Near Wady Halfeh, 5:30pm, 6 February 1867

EDITORS COMMENTS
is a captivating print that captures the essence of Sudanese landscape during the late 19th century. The artist, Edward Lear, skillfully combines ink and watercolor to bring this scene to life on a small canvas measuring only 7.6x13.2 cm. In this mesmerizing artwork, Lear transports us to the arid region of Wady Halfeh at dusk. Towering palm trees dominate the foreground while remnants of ancient architecture peek through in the background. The desolate surroundings create an atmosphere of bleakness and solitude. The composition showcases the beauty and resilience of nature amidst ruins from a forgotten era. The palms stand tall against the vast desert expanse, symbolizing endurance and vitality in an unforgiving environment. Lear's attention to detail is evident as he meticulously depicts each element with precision - from the intricate textures on palm fronds to subtle variations in color across the sandy terrain. This piece serves as a reminder of our connection with history and how it shapes our present landscapes. It invites viewers to reflect upon time's passage and contemplate humanity's place within nature's grand tapestry. Displayed at Yale Center for British Art since its acquisition by Donald Gallup, this artwork continues to captivate audiences with its evocative portrayal of Sudanese scenery over a century ago.

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