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Les Heures (The Hours), 1615 (engraving)

Les Heures (The Hours), 1615 (engraving)


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Les Heures (The Hours), 1615 (engraving)

3480537 Les Heures (The Hours), 1615 (engraving) by Gaultier, Leonard (1561-1641); (add.info.: Les Heures (The Hours). Plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenare, Paris, 1615. Engraving circa 1615, by Leonard Gaultier.); Universal History Archive/UIG; French, out of copyright

Media ID 22819180

© Universal History Archive/UIG / Bridgeman Images

Blaise De Vigenare Deux Philostrates Sophistes Grecs France Ile De Greek Mythology Hour Hours Léonard Gaultier Les Images Ou Tableaux


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EDITORS COMMENTS
This print titled "Les Heures (The Hours), 1615" takes us back to the enchanting world of Greek mythology in 17th century France. Created by Leonard Gaultier, a renowned French engraver of his time, this piece is part of a larger collection called "Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs" by Blaise de Vigenare. In this particular plate, Gaultier skillfully captures the essence of the hours - those mystical moments that mark the passing of time. The intricate details and delicate lines bring life to each hour depicted, showcasing their unique characteristics and significance. From dawn breaking with Aurora's radiant presence to twilight descending with Nyx's mysterious allure, every hour is beautifully personified. As we gaze upon this exquisite engraving, we are transported to Paris in the early 17th century. This artwork not only reflects Gaultier's talent but also represents a significant period in French art history. It serves as a reminder of how ancient Greek mythology continued to inspire artists throughout different eras. With its timeless appeal and historical importance, "Les Heures (The Hours), 1615" remains an iconic representation of European artistry. Its inclusion in Fine Art Finder's collection allows us to appreciate and preserve these masterpieces for generations to come.

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