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Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving)

Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving)


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Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving)

486402 Of brekynge and hurtynge of amyte and frendshyp, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a fool beating a humble man.)

Media ID 25465068

© Bridgeman Images

1497 1509 Alexander Barclay Beating Brandt Brandts Breaking Fool Foolish Fools Friendship Hitting Humble Jester Narrenschiff Sebastian Sinner Striking Translation Vice Vices Violent Woodcut 16 16th Xvi Xvith Sixteenth Century Brawl Brawling Fighting Conflict Hurting


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EDITORS COMMENTS
This print captures an illustration from Alexander Barclay's English translation of "The Ship of Fools" published in 1874. The engraving, created by the German School in the 15th century, depicts a scene titled "Of brekynge and hurtynge of amyte and frendshyp". It is a facsimile of the original German woodcut from 1497. In this thought-provoking image, we witness a fool dressed in vibrant costume violently striking a humble man. The fool represents foolishness and vices, while the victim symbolizes innocence and humility. This powerful visual commentary on friendship showcases how trust can be broken and friendships can be destroyed through violence. "The Ship of Fools" was translated by Alexander Barclay, a Scottish-born English poet who brought Sebastian Brandt's satirical work to an English-speaking audience in 1509. The woodcut used for this illustration highlights the theme of breaking bonds between friends due to sinful behavior. As we delve into this artwork, it serves as a reminder that conflicts and clashes are not limited to physical battles but also exist within relationships. It prompts us to reflect on our own actions towards our friends and consider how our choices may impact these precious connections. Overall, this historical piece offers profound insights into human nature while showcasing the talent of both Barclay as a translator and the German School as illustrators during their respective time periods.

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