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The Only thing they Respect of Fear, from Harpers Weekly
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The Only thing they Respect of Fear, from Harpers Weekly
PNP284616 The Only thing they Respect of Fear, from Harpers Weekly, 21st October 1871 (engraving) William M. Boss Tweed hugging the figure of Samuel J. Tilden, from Harpers Weekly, 1871 (litho) by Nast, Thomas (1840-1902); Private Collection; (add.info.: William Marcey Boss Tweed (1823-78) corrupt leader of the Tammany Society, the Democratic Party Political Machine; his fraud and stealing of public money; ); Peter Newark American Pictures; American, out of copyright
Media ID 23211854
© Peter Newark American Pictures / Bridgeman Images
American Politician Boss Capital Punishment Corruption Death Sentence Fraudster Graft Illegal Activity Imprisonment Justice System Noose Penitentiary Policeman Political Satire Power Broker Prison Scandal Tammany Hall Threat Public Opinion
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The Only thing they Respect or Fear
EDITORS COMMENTS
is a captivating print that captures the essence of political corruption and power in 19th century America. The image, created by Thomas Nast, depicts William Marcey Boss Tweed, the notorious leader of the Tammany Society and Democratic Party Political Machine, embracing Samuel J. Tilden. This engraving from Harpers Weekly in October 1871 exposes Tweed's fraudulent activities and embezzlement of public funds. It serves as a scathing critique of his illegal actions and highlights the deep-rooted corruption within American politics at the time. Nast's lithograph portrays Tweed hugging Tilden while surrounded by symbols representing scandal, imprisonment, and capital punishment. The image suggests that despite their differences, both men were complicit in perpetuating this culture of corruption. The visual elements such as a noose hanging ominously overhead symbolize impending justice for these fraudsters. Through this satirical cartoon-like portrayal, Nast aims to shed light on the detrimental effects of political graft on society. "The Only thing they Respect or Fear" not only serves as a historical document but also prompts reflection on contemporary issues surrounding government accountability and transparency. This thought-provoking artwork reminds us that even those who hold positions of power can be held accountable for their actions when public opinion demands it.
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