Sofa and two sofa ends (Palmwood, oxidized brass)

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Sofa and two sofa ends (Palmwood, oxidized brass)

6375288 Sofa and two sofa ends (Palmwood, oxidized brass) by Printz, Eugene (1889-1948); 94 x 188 x 80 cm; Private Collection; (add.info.: Rectangular sofa, resting on a palm veneer base surmounting a recessed baseboard plated with oxidized brass, lined with black curly wool, lined with three cushions; the rectangular sofa ends in palm veneer, the top and doors decorated with an oxidized brass baguette, opening with a door discovering a sycamore interior, one with five drawers surmounting a zippered locker, the other arranged with seven drawers, resting on a recessed base set with oxidized brass, the pull handles bronze; two original keys.)

Media ID 25179470

© Bridgeman Images

1940 1949 1940s Couch Drawers Forties Sofa Veneer Woodwork Wool Oxidized

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> Animals > Mammals > Muridae > Fortior

> Fine Art Finder > Artists > Eugene Printz

EDITORS COMMENTS
This print showcases a stunning piece of furniture created by the talented French designer, Eugene Printz. The focal point of the image is a rectangular sofa, exquisitely crafted with palmwood and adorned with oxidized brass accents. Resting on a palm veneer base, this luxurious sofa features a recessed baseboard plated with oxidized brass and is lined with black curly wool for added opulence. Accompanying the main sofa are two matching sofa ends, also finished in palm veneer. These elegant additions boast tops and doors embellished with an oxidized brass baguette, which open to reveal sycamore interiors. One end table is arranged with five drawers surmounting a zippered locker while the other offers seven drawers - both resting on recessed bases set with oxidized brass. The attention to detail in this piece is truly remarkable; from the bronze pull handles to the inclusion of two original keys for added authenticity. This 1940s creation exemplifies Printz's mastery of woodwork and his ability to infuse elegance into every aspect of his designs. Capturing both functionality and beauty, this photograph allows us to appreciate not only Printz's craftsmanship but also his keen eye for aesthetics. It serves as a reminder that furniture can be more than just functional objects; they can be works of art that enhance any space they inhabit.

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