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Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524
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Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524
2384761 Diana bathing, from the Room of Diana and Actaeon, detail of 2384753, 1524 by Parmigianino (Francesco Mazzola) (1503-40); Rocca Sanvitale, Fontanellato, Parma, Italy; (add.info.: Parma, Fontanellato, Rocca Sanvitale, stanza (o stufetta) di Diana e Atteone: particolare con Diana al bagno, dal ciclo di affreschi del Parmigianino (Girolamo Francesco Maria Mazzola) raffiguranti il mito di Diana e Atteone, tratto dalle Metamorfosi di Ovidio. La stanza, affrescata nel 1524, era probabilmente il bagno privato di Paola Gonzaga, moglie di Galeazzo Sanvitale.
Parma, Fontanellato, Rocca Sanvitale, room of Diana and Actaeon: detail of Diana bathing, from the cycle of frescoes by Parmigianino (Girolamo Francesco Maria Mazzola) depicting the myth of Diana and Actaeon, taken from Ovids Metamorphoses. The room, frescoed in 1524, probably was the bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale.); Ghigo Roli
Media ID 25172412
© Ghigo Roli / Bridgeman Images
Actaeon Architectural Detail Artemis Atteone Bathing Bathroom Cherubim Cherubini Diana Gonzaga Paola High And Late Renaissance Metamorphoses Muralist Painte Parma Parmigianino Parmigianino 1503 1540 Putti Cherub Cherubs Reinassance Renaissance Time Semi Nude
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EDITORS COMMENTS
This print captures a mesmerizing detail from Parmigianino's masterpiece, "Diana bathing, from the Room of Diana and Actaeon". Painted in 1524, this fresco adorns the walls of Rocca Sanvitale in Fontanellato, Parma, Italy. The room is believed to have been the private bathroom of Paola Gonzaga, wife of Galeazzo Sanvitale. In this particular section of the fresco cycle depicting the mythological tale of Diana and Actaeon from Ovid's Metamorphoses, we see Diana herself indulging in a tranquil bath. The artist skillfully portrays her graceful figure as she stands amidst architectural details that reflect the high Renaissance style prevalent during that era. The scene exudes an air of serenity and sensuality as Diana enjoys a momentary respite from her hunting pursuits. Surrounding her are charming putti or cherubs who add an ethereal touch to the composition. Parmigianino's masterful brushwork brings life to every intricate detail - from the delicate folds of fabric draping over Diana's body to the subtle play between light and shadow on her skin. This exquisite piece exemplifies his exceptional talent as both a painter and muralist during Italy's Renaissance period. As we gaze upon this remarkable print by Bridgeman Images, we are transported back in time to witness not only Parmigianino's artistic genius but also glimpse into a world where mythology intertwines with beauty and grace.
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