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Clovis III, 16e roi, monte sur le trone en 691, mort en 695 (coloured engraving)
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Clovis III, 16e roi, monte sur le trone en 691, mort en 695 (coloured engraving)
2799484 Clovis III, 16e roi, monte sur le trone en 691, mort en 695 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Clovis III, 16e roi, monte sur le trone en 691, mort en 695. Detail from popular coloured engraving by Pellerin of Epinal. Galerie Des Rois De France, Pl 1.); © Look and Learn
Media ID 23464818
© Look and Learn / Bridgeman Images
Frankish Franks Merovingians Monte Mort Royals Trone
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This coloured engraving depicts Clovis III, the 16th king of France, ascending to the throne in 691 and tragically passing away in 695. Created by a French School artist in the 19th century, this print showcases intricate details and vibrant hues that bring this historical moment to life. Clovis III's regal presence is evident as he sits upon his majestic throne, exuding power and authority. The artist skillfully captures every aspect of his royal attire, from the ornate crown adorning his head to the richly embroidered garments draping his figure. This portrayal highlights not only Clovis III's importance as a ruler but also reflects the opulence and grandeur associated with French royalty during this era. The attention to detail extends beyond Clovis III himself, as we catch a glimpse of the elaborate surroundings within which he holds court. The engraving reveals elements of architectural splendor and decorative motifs that speak to the artistic sensibilities prevalent at that time. As viewers immerse themselves in this historical scene, they are transported back to an era when kings held immense influence over their kingdoms. It serves as a reminder of France's rich cultural heritage and its significant role in shaping European history. This fine art print is part of a private collection but has been made accessible through Bridgeman Images' Fine Art Finder platform. Its inclusion allows enthusiasts worldwide to appreciate both its aesthetic beauty and its value as an important artifact from French history.
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