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The Entry into Jerusalem (paint on vellum)
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The Entry into Jerusalem (paint on vellum)
986049 The Entry into Jerusalem (paint on vellum) by Master of the Anglo Hours (16th century); 17.3x12.3 cm; Private Collection; (add.info.: The Entry into Jerusalem (f.7). Processional in Latin. Full-page Miniature from Illuminated Manuscript. Master of the Anglo Hours (16th century). Vellum. Painted, Rouen, circa 1520. 17.3 x 12.3cm.); Photo eChristies Images; out of copyright
Media ID 22201906
© Christie's Images / Bridgeman Images
1520 1520s Arrives Artistic Artistique Cape Celebrate Citadel Creative Activity Creativity Early Sixteenth Century Entry Event Fort Fortification Framed Image Full Page Haute Normandie Hooved Mammal Illuminated Manuscript Israel Jerusalem Large Group Latin Text Medium Group Medium Group Of People Military Base Mule Normandie Normandy Occasion On Vellum One Animal Outer Garment Page Processional Rouen Seine Maritime Social Activity Vellum Artist French French Art French Artist Positive Concepts
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The Entry into Jerusalem
EDITORS COMMENTS
is a captivating print that captures the essence of a momentous event. Painted on vellum by the Master of the Anglo Hours in the 16th century, this exquisite piece measures 17.3x12.3 cm and belongs to a private collection. The image showcases an artistically rendered scene set against the backdrop of a French castle or fortress, with its grandeur adding depth to the composition. The outdoor setting and time of day create an atmosphere filled with anticipation and excitement. A large group of people can be seen gathered outside the building's exterior, eagerly awaiting an arrival. Men dressed in capes and apparel indicative of their time period add authenticity to this historic depiction. This processional in Latin signifies a significant celebration or event taking place within Jerusalem, as indicated by references to Middle Eastern culture throughout the artwork. The illuminated manuscript style adds richness and vibrancy to every detail captured on vellum. The presence of one animal, possibly a mule, further enhances this visual narrative while showcasing European artistic techniques from early sixteenth-century Normandy. Overall, "The Entry into Jerusalem" is not just a framed image but also an embodiment of creativity and artistic expression from centuries past. It invites viewers to immerse themselves in history while appreciating both its cultural significance and aesthetic beauty.
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