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The Sack of Rome by Visigoths in 410, 1890 (oil on canvas)

The Sack of Rome by Visigoths in 410, 1890 (oil on canvas)


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The Sack of Rome by Visigoths in 410, 1890 (oil on canvas)

5667111 The Sack of Rome by Visigoths in 410, 1890 (oil on canvas) by Sylvestre, Joseph-Noel (1847-1926); 197x130 cm; Musee Paul Valery, Sete, France; (add.info.: Le sac de Rome par les barbares en 410
The Sack of Rome by the Barbarians in 410); Photo eFine Art Images; French, out of copyright

Media ID 23713372

© Fine Art Images / Bridgeman Images

Alaric Barbarian Barbarians Barbaric C5th Civic Monument Civilisation Destroying Goths Invader Invaders Invading Invasion Looting Noose Pillaging Rope Sack Of Rome Sacking Temples Toppling Tribe Visigoths Fall Of Rome


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The Sack of Rome by Visigoths in 410

EDITORS COMMENTS
is a powerful and evocative oil painting that captures the chaotic scene of one of history's most significant events. Painted by Joseph-Noel Sylvestre in 1890, this masterpiece measures an impressive 197x130 cm and is currently housed at the Musee Paul Valery in Sete, France. The artwork depicts the devastating moment when barbarian tribes led by Alaric, King of the Visigoths, invaded and pillaged Rome in 410 AD. The canvas portrays a city engulfed in chaos as temples crumble, sculptures topple, and civic monuments are destroyed. The invading forces are shown attacking with ferocity while Roman citizens flee or fall victim to their ruthless onslaught. Sylvestre's attention to detail brings this historical event to life; every stroke on the canvas conveys a sense of urgency and despair. The artist skillfully captures the nudity of both invaders and victims alike, symbolizing vulnerability amidst destruction. This painting serves as a reminder of Rome's fall from glory and power - an empire brought down by external forces seeking conquest. It also highlights the clash between classical civilization and Germanic tribes during this tumultuous period. "The Sack of Rome by Visigoths in 410" stands as a testament to humanity's capacity for destruction but also our enduring fascination with history. It invites viewers to reflect on the fragility of empires while appreciating art's ability to preserve pivotal

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