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Avarice, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho)
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Avarice, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho)
829029 Avarice, from Falbalas & Fanfreluches, Almanach des Modes Presentes, Passees et Futures, 1925 (colour litho) by Barbier, Georges (1882-1932); Private Collection; (add.info.: L Avarice); The Stapleton Collection
Media ID 25210232
© The Stapleton Collection / Bridgeman Images
Almanach Barbier Georges 1882 1932 Clothing Style Falbalas Et Fanfreluches Fashiom Fashion Trend Moon Moonlight Proposal 1920s 20s 20s Lovers
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EDITORS COMMENTS
This print titled "Avarice" transports us back to the glamorous world of 1920s fashion. Created by the talented artist Georges Barbier, this exquisite colour lithograph is a part of the renowned Falbalas & Fanfreluches Almanach des Modes Presentes, Passees et Futures from 1925. The image showcases a scene filled with opulence and allure. Set in an enchanting garden bathed in moonlight, we witness a romantic encounter between two lovers. The male figure can be seen on bended knee, presenting a proposal to his beloved female companion. Their elegant clothing style epitomizes the height of fashion during this era. Barbier's exceptional artistic skills are evident in every detail of this illustration. From the intricate patterns on their garments to the delicate play of light and shadow, he captures both beauty and emotion flawlessly. Through this artwork, Barbier not only celebrates fashion but also explores themes such as love and desire. The title "Avarice" hints at the underlying message within the piece - perhaps highlighting how materialistic pursuits can sometimes overshadow true affection. As we admire this stunning print from Fine Art Finder's Stapleton Collection, we are transported back in time to an era that exuded elegance and sophistication. It serves as a reminder that art has always been intertwined with culture and society; reflecting our desires, aspirations, and even our flaws.
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