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Giovanni Battista (1696-1770) Tiepolo Gallery

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Portrait of Charles I Stuart (1600 - 1649), King of England, hunting Featured Giovanni Battista (1696-1770) Tiepolo Image

Portrait of Charles I Stuart (1600 - 1649), King of England, hunting

JLJ4662805 Portrait of Charles I Stuart (1600 - 1649), King of England, hunting. Painting by Anton Van Dyck (1599-1641), Flemish school, 17th century. Oil on canvas. Dim: 2, 66 X 2, 07m. Musee Du Louvre - Full-length portrait of Charles I Stuart (1600-1649), King of England, hunting. Painting by Anton van Dyck (1599-1641), Flemish School, 17th century. Oil on canvas. 2.66 x 2.07 m. Louvre Museum, Paris by Dyck, Anthony van (1599-1641); Louvre, Paris, France; (add.info.: Portrait of Charles I Stuart (1600 - 1649), King of England, hunting. Painting by Anton Van Dyck (1599-1641), Flemish school, 17th century. Oil on canvas. Dim: 2, 66 X 2, 07m. Musee Du Louvre - Full-length portrait of Charles I Stuart (1600-1649), King of England, hunting. Painting by Anton van Dyck (1599-1641), Flemish School, 17th century. Oil on canvas. 2.66 x 2.07 m. Louvre Museum, Paris); Photo A© Photo Josse; Flemish, out of copyright

© © Josse / Bridgeman Images

A Louis XIV gilt-metal-mounted, pewter, tortoiseshell and stained horn-inlaid ebony, marquetry and parcel-gilt and silvered cabinet on stand, c.1660-80 Featured Giovanni Battista (1696-1770) Tiepolo Image

A Louis XIV gilt-metal-mounted, pewter, tortoiseshell and stained horn-inlaid ebony, marquetry and parcel-gilt and silvered cabinet on stand, c.1660-80

5962775 A Louis XIV gilt-metal-mounted, pewter, tortoiseshell and stained horn-inlaid ebony, marquetry and parcel-gilt and silvered cabinet on stand, c.1660-80 by Gole, Pierre (1620-84) (manner of); Private Collection; (add.info.: A LOUIS XIV GILT-METAL-MOUNTED, PEWTER, TORTOISESHELL AND STAINED HORN-INLAID EBONY, MARQUETRY AND PARCEL-GILT AND SILVERED CABINET-ON-STAND
CIRCA 1660-80, IN THE MANNER OF PIERRE GOLE
Inlaid overall with cherubs, arabesque scrolls and strapwork, the architectural facade with twelve drawers around a central door enclosing a removable mirrored interior and three concealed drawers, the stand with two frieze drawers above caryatid supports, on a rectangular base, the back supports and floor replaced in mahogany
70 in. (178 cm.) high; 56 in. (142 cm.) wide; 22 in. (56 cm.) deep); Photo © Christie's Images

© © Christie's Images / Bridgeman Images

Palazzina (Small Building), the third room or room of the Aeneid: 'Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido', 1756-57 (fresco) Featured Giovanni Battista (1696-1770) Tiepolo Image

Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido", 1756-57 (fresco)

5962690 Palazzina (Small Building), the third room or room of the Aeneid: "Venus, as a huntress, appears to her son Aeneas and his companion Achates on the beach of Libya, ordering them to go to Dido", 1756-57 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Valmarana ai Nani, Vicenza, Italy; (add.info.: Vicenza, Villa Valmarana ai Nani, Palazzina: la terza stanza o stanza dell Eneide: "Venere, in veste di cacciatrice, appare al figlio Enea ed al suo compagno Acate sulla spiaggia di Libia, ordinando loro di recarsi da DIdone". Affreschi di Giambattista Tiepolo, 1756 - 1757.); Ghigo Roli

© Ghigo Roli / Bridgeman Images