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The Devil in the Benitier - by Henry Gerbault (1863-1930), in "Fantasio"from 01 / 02 / 1926
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The Devil in the Benitier - by Henry Gerbault (1863-1930), in "Fantasio"from 01 / 02 / 1926
LSE4106181 The Devil in the Benitier - by Henry Gerbault (1863-1930), in " Fantasio" from 01/02/1926 by Gerbault, Henri (1863-1930); Private Collection; (add.info.: The Devil in the Benitier - by Henry Gerbault (1863-1930), in " Fantasio" from 01/02/1926); © Leonard de Selva. All rights reserved 2022
Media ID 25157848
© Leonard de Selva. All rights reserved 2022 / Bridgeman Images
Anticlericalism Capital Sins Chretien Chretienne Chretiente Christendom Christianisme Clerge Devil Diable Eglise Envie Envy Femme Femme Nue Femme Symbole Naked Woman Nudite Ordre Religieux Peches Capitaux Symbole Woman Symbol
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The Devil in the Benitier
EDITORS COMMENTS
is a captivating print by Henry Gerbault that was featured in "Fantasio" on January 2,1926. This thought-provoking artwork, now part of a private collection, showcases Gerbault's mastery in capturing complex themes and emotions. In this piece, we are confronted with a powerful symbol of religious critique and social commentary. The central focus is on a young Christian girl standing before a benitier (holy water font), seemingly innocent and vulnerable. However, lurking behind her is the devil himself, depicted as an imposing figure dressed as clergy. Gerbault skillfully uses caricature to convey his message of anticlericalism and expose the darker side of organized religion. By juxtaposing the purity of the young girl with the corrupt presence of the devil within religious institutions, he highlights issues such as hypocrisy and moral corruption. The inclusion of nudity further adds to the provocative nature of this artwork. It challenges societal norms surrounding sexuality and exposes how power dynamics within religious orders can exploit vulnerability. Through his intricate drawing style, Gerbault invites viewers to reflect on their own beliefs and question established systems. "The Devil in the Benitier" serves as a reminder that even within sacred spaces, there can be hidden evils that need to be acknowledged and addressed. Leonard de Selva's preservation of this significant piece ensures its continued impact for generations to come.
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