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The Ancient Mariner with the Wedding Guest first page of The Rime of the Ancient Mariner
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The Ancient Mariner with the Wedding Guest first page of The Rime of the Ancient Mariner
XJF393823 The Ancient Mariner with the Wedding Guest first page of The Rime of the Ancient Mariner, by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Samuel Taylor Coleridge (1772-1834); ); French, out of copyright
Media ID 12872321
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EDITORS COMMENTS
This print transports us into the haunting world of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner". The image depicts a pivotal moment in the narrative, where the ancient mariner detains a wedding guest with his mesmerizing tale. Gustave Dore's masterful wood engraving brings to life this iconic scene from one of literature's most celebrated poems. The intricate details and delicate lines showcase Dore's exceptional talent as an artist. Every stroke seems to capture the intensity and suspense that permeate Coleridge's words. The composition is strikingly balanced, with the ancient mariner positioned at the center, his weathered face etched with sorrow and desperation. His outstretched arm reaches towards the young wedding guest, who stands frozen in place, captivated by both fear and curiosity. In this single frame, we witness not only a physical detainment but also an emotional entrapment. The viewer can almost feel themselves being drawn into this otherworldly encounter between two individuals from different worlds - one burdened by guilt and cursed by fate, while the other represents innocence interrupted. As we gaze upon this evocative print, it serves as a reminder of our own vulnerability to unforeseen circumstances that may forever alter our lives' course. It invites us to reflect on themes such as redemption, remorse, and human connection – timeless motifs that continue to resonate through generations. Overall, Dore's artistic interpretation beautifully complements Coleridge
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