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The Fenian Dynamite Conspiracy in England (engraving)
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The Fenian Dynamite Conspiracy in England (engraving)
1624318 The Fenian Dynamite Conspiracy in England (engraving) by Courbould, Alfred (fl.1831-75); Private Collection; (add.info.: The Fenian Dynamite Conspiracy in England. Illustration for The Illustrated London News, 14 April 1883.
A C Corbould); Look and Learn / Illustrated Papers Collection
Media ID 23078384
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Boxes Crate Dalton Fenian Dynamite Campaign Glycerine Irish Republicanism Norman Removing Rubber Southampton Street Terrorism Wilson Gallagher Inida Nelson Square Nitro
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The Fenian Dynamite Conspiracy in England
EDITORS COMMENTS
is a captivating engraving that captures the intensity and intrigue of a historical event. Created by Alfred Courbould, this print showcases the infamous Fenian Dynamite Campaign that took place in 19th-century England. The image depicts a scene filled with tension and danger. In the foreground, we see individuals carefully handling boxes and crates containing glycerine and nitro, powerful explosives used by the conspirators. The bag filled with rubber hints at their meticulous planning to avoid detection. The setting is Southampton Street, where the conspiracy unfolded. Norman's room in De La Mottes Hotel becomes central to their operations as they strategize their acts of terrorism not only in England but also across India and Asia. The figures present are key players involved in this plot for Irish republicanism. Dalton, Gallagher, Wilson - names synonymous with rebellion against British rule - can be seen meticulously removing these dangerous materials from Nelson Square. This engraving serves as a chilling reminder of how far individuals were willing to go for their cause during this tumultuous period. It sheds light on an era marked by political unrest and highlights the global reach of these radical actions. Bridgeman Images has preserved this significant piece of history through Fine Art Finder, allowing us to reflect upon past events while appreciating Courbould's artistic skill in capturing such intense subject matter.
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