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At last my little flower pot will have some sun
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At last my little flower pot will have some sun
XJF441077 At last my little flower pot will have some sun...I will learn at last if it is a rose bush or a wallflower!... caricature on the Haussmanization of Paris from Le Charivari, 18 December, 1852 (litho) by Daumier, Honore (1808-79); Private Collection; (add.info.: Voila donc mon pot de fleurs qui va avoir du soleil...je saurai enfin si c est un rosier ou une giroflee ; Paris in the 1850s and 1860s was modernised and redeveloped on a massive scale by Baron Haussmann (1809-70) Prefect of the Seine (1853-70); Haussmanization resulted in the demolition of many houses to create the new boulevards; this cartoon shows the destruction of a house but the joy of the neighbours at the release of sunlight for his plants will not last long as their home will be the next to be demolished; ); French, out of copyright
Media ID 12881903
© www.bridgemanart.com
Avenue Avenues Boulevard Demolition Development Flower Pot Haussmann Modernisation Modernization Pickaxe Redevelopment Rose Bush Town Planning Transformation Transformed Upheaval Workmen Actualites Modernise
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EDITORS COMMENTS
The lithograph by Honore Daumier titled "At last my little flower pot will have some sun" captures the essence of Paris in the 1850s and 1860s during Baron Haussmann's ambitious modernization project. In this caricature, a couple stands outside their home, witnessing the demolition of a neighboring house to make way for new boulevards. The man eagerly exclaims that his flower pot will finally receive sunlight, allowing him to determine whether it houses a rose bush or a wallflower. The irony is not lost on the viewer as they understand that this joyous moment will be short-lived since their own home is next in line for destruction. This artwork reflects the upheaval and transformation brought about by Haussmannization - an extensive redevelopment plan that involved demolishing numerous buildings to create wide avenues and reshape the cityscape. The cartoon highlights both the excitement of progress and its disruptive consequences. Daumier's satirical style adds depth to this scene, capturing not only the physical changes but also the emotions experienced by those affected. Through his clever portrayal of everyday life amidst urban restructuring, he invites viewers to reflect on themes such as town planning, development, architecture, and destruction. Overall, this lithograph serves as a poignant reminder of Paris' history and how its evolution has shaped both its physical landscape and its inhabitants' lives.
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