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The Devonshire, or Most Approved Method of Securing Votes, pub
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The Devonshire, or Most Approved Method of Securing Votes, pub
2962498 The Devonshire, or Most Approved Method of Securing Votes, pub. 1784 (hand coloured engraving) by Rowlandson, Thomas (1756-1827); Private Collection; (add.info.: Georgiana, Duchess of Devonshire (1757-1806); Charles James Fox (1749-1806); ); The Stapleton Collection; English, out of copyright
Media ID 23444642
© The Stapleton Collection / Bridgeman Images
Butcher Buxom Campaigning Canvassing Commoner Crude Election Electioneering Embracing Finery Kissing Licentious Political Satire Ruffian Scandalous Uncouth Voter Plebian Unchaste Unorthodox
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The Devonshire - A Satirical Glimpse into the World of 18th Century Politics
EDITORS COMMENTS
. This hand-coloured engraving, titled "The Devonshire, or Most Approved Method of Securing Votes" offers a fascinating insight into the political landscape of 1784. Created by renowned artist Thomas Rowlandson, this piece is an exquisite example of political satire from the era. Depicting Georgiana, Duchess of Devonshire and Charles James Fox in their quest for electoral success, this print showcases a crude yet effective campaign strategy. The image portrays an unorthodox scene where aristocrats mingle with commoners; it captures the scandalous nature of electioneering during that time. Rowlandson's caricature-like style adds a touch of humor to the composition as we witness an uncouth butcher embracing a buxom peasant woman while donning finery associated with high society. This unconventional approach to winning votes highlights both licentious behavior and unchaste tactics employed by candidates seeking support from all social classes. Intriguingly, amidst this chaotic scene lies a poignant commentary on power dynamics within British society. The juxtaposition between aristocracy and commoners emphasizes how individuals from different backgrounds were drawn together during elections—often through questionable means—to secure victory. "The Devonshire" remains an enduring testament to Rowlandson's talent for capturing societal nuances through satirical imagery. It serves as a reminder that even in centuries past, politics has always been rife with scandal and un
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