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Study of figures for a narrative scene (charcoal on paper) (recto)

Study of figures for a narrative scene (charcoal on paper) (recto)


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Study of figures for a narrative scene (charcoal on paper) (recto)

BAL192507 Study of figures for a narrative scene (charcoal on paper) (recto) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: possibly a drawing of christ driving the moneychangers from the temple; )

Media ID 25460536

© Bridgeman Images

Aggressive Anatomical Bare Doves Fleeing Frontal Moneylenders Overturned Table Raised Arm Rear View Scourge Trader Violent Whip Early Xv Century Late Xv Century Semi Nude Throwing Out


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> Animals > Birds > Columbiformes > Doves > Related Images

> Arts > Artists > B > Michelangelo Buonarroti

> Arts > Artists > G > James Gillray

> Arts > Artists > Michelangelo Buonarroti > Michelangelo's drawings

> Arts > Artists > Michelangelo Buonarroti > Renaissance art

> Arts > Artists > Michelangelo Buonarroti

> Arts > Artists > Michelangelo > Renaissance art

> Arts > Artists > Michelangelo

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Europe > United Kingdom > England > London > Museums > British Museum

> Fine Art Finder > Artists > James Gillray

> Fine Art Finder > Artists > Michelangelo Buonarroti

> Fine Art Finder > Drawings & Studies


EDITORS COMMENTS
This print showcases Michelangelo's "Study of figures for a narrative scene" in all its intricate detail. Created with charcoal on paper, this artwork is housed in the prestigious British Museum in London, UK. The composition possibly depicts Christ driving the moneychangers from the temple, as suggested by art historians. The image captures a moment of intense action and emotion. Birds flutter above as a female figure aggressively gestures towards a group of doves fleeing from an overturned table. Anatomical precision is evident in every stroke, conveying the violent energy of the scene. A trader flinches under the raised arm of another figure while being thrown out with a whip by one of the male moneylenders. The rear view of a nude figure adds to the sense of movement and chaos within this bustling market setting. With Jesus positioned frontally at the center, his presence commands attention amidst this 15th-century Renaissance tableau. The late 16th-century artwork offers viewers an intimate glimpse into Michelangelo's creative process and mastery over human anatomy. Its inclusion in Fine Art Finder's collection allows art enthusiasts worldwide to appreciate and study this remarkable piece without commercial intentions or implications.

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