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The nursing Virgin in an ermine coat depicted as Agnes Sorel
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The nursing Virgin in an ermine coat depicted as Agnes Sorel
GYS4988366 The nursing Virgin in an ermine coat depicted as Agnes Sorel - (after the Virgin of Antwerp, by Jean Fouquet, circa 1452-1455) by Fouquet, Jean (fl.1793-98) (after); Chateau de Loches, France; (add.info.: Indre & Loire N* 178); photo eHerve Gyssels; French, out of copyright
Media ID 22565116
© photo Herve Gyssels / Bridgeman Images
15 15e 15eme Xv Xve Xveme Siecle Agnes 1422 1450 Allaitement Ange Beaute Bebe Bible Personnage Breastfeeding Center Centre Chest Chretien Chretienne Couronne Femme Fleur De Lys Fourrure Francaise Gyssels Indre Et Loire 37 Jeunesse Lily Flower Moyen Age Nobleman Nobles Noblewoman Nudite Pearl Perle Pierre Precieuse Poitrine Precious Stone Richesse Sorel Sorel Agnes 1422 1450 Vierge Marie Francais Noble Peinture
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EDITORS COMMENTS
This print showcases "The nursing Virgin in an ermine coat depicted as Agnes Sorel" a remarkable artwork by Jean Fouquet. Inspired by the original painting, "The Virgin of Antwerp" created between 1452 and 1455, this photograph captures the essence of beauty, religion, and wealth. In the center of the composition stands a young girl adorned with a crown, symbolizing her divine connection. Dressed in an exquisite costume embellished with pearls and precious stones, she exudes elegance and nobility. The ermine coat drapes gracefully around her shoulders while she tenderly breastfeeds a baby. Surrounded by angelic figures and lily flowers representing purity, this portrait is a testament to both artistic mastery and religious devotion. The artist's attention to detail is evident in every brushstroke that brings forth the delicate features of Agnes Sorel. Through this image, we are transported back to 15th-century France - a time when youth was celebrated alongside faith. Agnes Sorel herself was known for her influential role as mistress to King Charles VII during this period. Photographed within Chateau de Loches in France's Indre & Loire region, this print encapsulates history within its frame. Herve Gyssels skillfully captures not only the physical beauty but also the spiritual significance embedded within Fouquet's masterpiece. As we gaze upon this stunning portrayal of femininity and motherhood intertwined with religious iconography, we are reminded of art's ability to transcend time and evoke emotions that resonate across centuries.
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