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First crusade: Preparatives for the assault of Jerusalem
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First crusade: Preparatives for the assault of Jerusalem
LRI4573642 First crusade: Preparatives for the assault of Jerusalem. Representation of Godefroy de Bouillon, sitting in front of Peter the Hermit - Fresco, 1827-1829 by Overbeck, Friedrich (1789-1869); Casino Massimo, Rome, Italy; (add.info.: First crusade: " Preparatives for the assault of Jerusalem" Representation of Godefroy de Bouillon, sitting in front of Peter the Hermit - Episode of " The Jerusalem Delivree" (La Gerusalemme liberata) epic poem by Le Muche (Il Tasso) retracing the fighting between Christians and Saracens for the rise of the siege of Jerusalem (First crusade) ade, the assault of Jerusalem) - Fresco by Friedrich Overbeck (1789-1869) (School of the German Nazareans) 1827-1829 Casino Massimo, Rome); Luisa Ricciarini; German, out of copyright
Media ID 23715488
© Luisa Ricciarini / Bridgeman Images
11 11th 11th Xi 11th 11th Century 1st Crusade 1096 1099 Crusade Godefroy De Bouillon 1061 1100 Israel Israeli Jerusalem Peter The Hermit 1050 1115
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EDITORS COMMENTS
This print captures a significant moment in history, depicting the preparatives for the assault of Jerusalem during the First Crusade. Painted by Friedrich Overbeck between 1827 and 1829, this fresco showcases Godefroy de Bouillon, a prominent figure of the crusade, sitting in front of Peter the Hermit. The scene is taken from "The Jerusalem Delivree" an epic poem by Le Muche (Il Tasso) that narrates the intense battles between Christians and Saracens during the siege of Jerusalem. The painting beautifully portrays the tension and anticipation felt by both sides as they prepared for this historic event. Overbeck's attention to detail brings out every emotion on Godefroy de Bouillon's face, reflecting his determination and resolve. The artist skillfully captures Peter the Hermit's presence as well, emphasizing his role as a spiritual leader inspiring thousands to join this holy mission. This artwork not only serves as a visual representation but also connects various forms of art - literature, history, poetry - all converging into one powerful image. It transports us back to medieval times when conflicts over religion shaped destinies and defined nations. Displayed at Casino Massimo in Rome, Italy since its creation in 1829, this fresco continues to captivate viewers with its rich historical significance. It reminds us of humanity's enduring quest for faith and conquest while shedding light on an era that has left an indelible mark on our collective memory.
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