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Ceiling of the Painted Hall, 1707-14

Ceiling of the Painted Hall, 1707-14


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Ceiling of the Painted Hall, 1707-14

BTN208087 Ceiling of the Painted Hall, 1707-14 by Thornhill, James (1675-1734); Royal Naval College, Greenwich, London, UK; (add.info.: celebrates Protestant succession of English monarchs; Mary II (1662-94) Queen of England; patrons of the Royal Hospital; surrounded by allegorical figures and maritime trophies; ); eJames Brittain; English, out of copyright

Media ID 22665764

© James Brittain / Bridgeman Images

Apotheosis Enthroned Glorification Glorious Revolution King Of England Protestantism Protestants Trophy William Iii 1650 1702


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Artists > C > Jean Baptiste Camille Corot

> Arts > Artists > T > James Thornhill

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Europe > United Kingdom > England > London > Boroughs > Greenwich

> Europe > United Kingdom > England > London > Hospitals

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > England > London > Towns > Greenwich

> Europe > United Kingdom > Heritage Sites > Maritime Greenwich

> Fine Art Finder > Artists > James Thornhill

> Fine Art Finder > Artists > Jean Baptiste Camille Corot

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EDITORS COMMENTS
This print showcases the magnificent "Ceiling of the Painted Hall" at the Royal Naval College in Greenwich, London. Created between 1707 and 1714 by James Thornhill, a renowned artist of his time, this masterpiece celebrates the Protestant succession of English monarchs. The focal point of this grand artwork is Mary II, Queen of England, who sits enthroned amidst allegorical figures and maritime trophies. The painting pays homage to her role as a patroness of the Royal Hospital and symbolizes the triumph of Protestantism during the Glorious Revolution. Measuring approximately 30x15 meters, this baroque-style ceiling is an awe-inspiring sight. It exudes opulence through its vibrant colors and meticulous details that depict William III's apotheosis as King of England from 1650 to 1702. James Brittain skillfully captures every intricate aspect in this photograph without compromising its historical significance. Through his lens, we can appreciate Thornhill's glorification of Protestant ideals while marveling at the artistic prowess displayed in every stroke. As you gaze upon this remarkable image, allow yourself to be transported back in time to an era when religious beliefs shaped political landscapes. Let it serve as a reminder that art has always been a powerful medium for storytelling and preserving history for generations to come.

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