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Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17, 1897 (chromolithograph)

Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17, 1897 (chromolithograph)


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Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17, 1897 (chromolithograph)

1766123 Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17, 1897 (chromolithograph) by Guth, Jean Baptiste (1855-1922); Yale Center for British Art, Paul Mellon Collection, USA.
Please note: The artwork in this photograph is in copyright. It is your responsibility to ensure this additional copyright is cleared prior to use. Please contact Bridgeman Images if you require further assistance; however, please be advised that Bridgeman does not currently hold contact information for the copyright handler of this artwork

Media ID 25496402

© Bridgeman Images

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EDITORS COMMENTS
The chromolithograph print titled "Vanity Fair: Royalty; A Cimiez, Promenade Matinale, Queen Victoria, June 17,1897" captures a poignant moment in history. In this image, we see Queen Victoria of Great Britain and Ireland taking a morning stroll during her visit to Cimiez. The queen is portrayed as an elderly widow, draped in mourning attire after the passing of her beloved husband Prince Albert. Queen Victoria's somber expression reflects the weight of her responsibilities as monarch and the personal loss she endured. Despite her regal stature and position of power, there is a sense of sadness that permeates through the portrait. The artist Jean Baptiste Guth skillfully depicts Queen Victoria seated in a carriage with a canopy overhead. The landscape behind her showcases the beauty of nature while also emphasizing her isolation and melancholy. This chromolithograph serves as both a historical record and an intimate glimpse into the emotions experienced by one of Britain's most iconic queens. As viewers gaze upon this artwork from 1897, they are transported back in time to witness not only royalty but also humanity at its most vulnerable state. It reminds us that even those who seem untouchable are subject to sorrow and grief.

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