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The birth of a divinity, 1615 (engraving)
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The birth of a divinity, 1615 (engraving)
3480534 The birth of a divinity, 1615 (engraving) by Gaultier, Leonard (1561-1641); (add.info.: The birth of a divinity. Plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenare, Paris, 1615. Engraving circa 1615, by Leonard Gaultier.); Universal History Archive/UIG; French, out of copyright
Media ID 22442926
© Universal History Archive/UIG / Bridgeman Images
Birth Blaise De Vigenare Deux Philostrates Sophistes Grecs Divine Goddesses Greek Mythology Heavenly Léonard Gaultier Les Images Ou Tableaux Divinity
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The Birth of a Divinity, 1615
EDITORS COMMENTS
is a captivating engraving by Leonard Gaultier that transports viewers back to the 17th century. This print showcases the divine moment when a new god or goddess enters the realm of Greek mythology. With intricate details and masterful craftsmanship, Gaultier brings this heavenly scene to life. Taken from "Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs" by Blaise de Vigenare, this plate captures the essence of divinity in all its glory. The artist's skillful use of lines and shading creates a sense of depth and movement within the composition. As we gaze upon this enchanting artwork, we are transported to an ancient world where gods and goddesses reign supreme. The birth depicted here is not merely physical but symbolic – it represents the emergence of a powerful deity who will shape the course of mythology. Gaultier's portrayal emphasizes both strength and grace as celestial figures surround the newborn divinity with reverence. Their ethereal presence adds an air of mystique to this already mesmerizing scene. "The Birth of a Divinity, 1615" is not just an engraving; it is a window into another time, inviting us to explore the rich tapestry of Greek mythology. Through Gaultier's artistry, we can witness firsthand how these ancient tales continue to captivate our imagination even centuries later.
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