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Henri-Charles-Ferdinand of Artois (1820-83) Duke of Bordeaux and his Sister Louise-Marie-Therese
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Henri-Charles-Ferdinand of Artois (1820-83) Duke of Bordeaux and his Sister Louise-Marie-Therese
XIR207615 Henri-Charles-Ferdinand of Artois (1820-83) Duke of Bordeaux and his Sister Louise-Marie-Therese of Artois (1819-64) at the Tuileries (oil on canvas) by Hersent, Louis (1777-1860); 148x110 cm; ChAteau de Versailles, France; (add.info.: Henri Charles Ferdinand d Artois et sa soeur; Henri de France, duc de Bordeaux, comte de Chambord; posthumous son of Charles-Ferdinand Duke of Berry; last heir of elder branch of Bourbons; pretender to French throne from 1830; Henri V never held the throne; Louise Marie Therese, later duchess of Parma and Piacenza; copy of the painting located in palace of Frohsdorf, Austria; ); French, out of copyright
Media ID 12756128
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Bourbon Brother Curtains Leaning
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This print showcases the young Henri-Charles-Ferdinand of Artois, Duke of Bordeaux, and his sister Louise-Marie-Therese in a tender moment at the Tuileries. Painted by Louis Hersent, this oil on canvas masterpiece measures 148x110 cm and is currently housed in the magnificent Château de Versailles in France. Henri Charles Ferdinand, also known as Henri V, was the posthumous son of Charles-Ferdinand Duke of Berry and the last heir of the elder branch of Bourbons. As a pretender to the French throne from 1830 onwards, he never had the opportunity to rule. His sister Louise Marie Therese later became Duchess of Parma and Piacenza. In this portrait, we see these aristocratic siblings portrayed with utmost elegance and grace. The attention to detail is exquisite - from their delicate lace attire to their serene expressions. Henri leans against a bed adorned with luxurious curtains while his sister stands beside him. The painting beautifully captures their innocence and youthfulness; it is a testament to Hersent's skill as an artist. A copy of this remarkable artwork can be found in Frohsdorf Palace in Austria. This photograph print allows us to appreciate not only its artistic value but also provides insight into an important period in French history when royal legitimacy was fiercely debated within society.
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