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Riot at Covent Garden Theatre in 1763 in consequence of the Managers refusing to

Riot at Covent Garden Theatre in 1763 in consequence of the Managers refusing to


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Riot at Covent Garden Theatre in 1763 in consequence of the Managers refusing to

XJF387414 Riot at Covent Garden Theatre in 1763 in consequence of the Managers refusing to admit half-price in the Opera of Artaxerxes (engraving) by Boitard, Louis Philippe (fl.1738-63); Private Collection; (add.info.: riot was led by the critic Thaddeus Fitzpatrick, who was a great rival of David Garrick; the theatre withdrew half-price tickets for those who came to the theatre after the main play to see the after-piece; 24 February 1763; ); French, out of copyright

Media ID 12871679

© www.bridgemanart.com

Audience Demonstration Demonstrators Invading Performers Protest Protesting Protestors Rioter Rioters Rioting Storming Uproar


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Riot at Covent Garden Theatre in 1763 - A Chaotic Consequence of Artistic Discontent

EDITORS COMMENTS
. This print captures a pivotal moment in the history of theatre, as riotous chaos unfolds within the walls of Covent Garden Theatre. The engraving, created by Louis Philippe Boitard, vividly portrays the infamous riot that erupted on February 24th, 1763. The catalyst for this uproar was the decision made by the theatre managers to refuse admission at half-price for spectators wishing to enjoy the Opera of Artaxerxes after the main play. Led by Thaddeus Fitzpatrick, a renowned critic and rival of David Garrick, disgruntled audience members took matters into their own hands. In this dramatic scene frozen in time, we witness protestors storming onto the stage amidst performers who are left bewildered and startled. The invading rioters express their frustration with fervent determination as they demand justice for their denied access to affordable entertainment. This historic event not only highlights tensions between theatergoers and management but also serves as a testament to the power of art in society. It reminds us that even centuries ago, individuals were willing to passionately protest against perceived injustices within artistic realms. Through this remarkable engraving from Boitard's collection held privately today, we are transported back to an era where passion clashed with tradition and audiences fought fiercely for their right to experience culture without financial barriers.

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